Experiencing a Lament Performance in a Mire

Pauliina Latvala-Harvilahti
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Abstract

The article addresses the topical issue of environmental emotions from the perspective of individual experiences of environmental art reception. The research focuses on how the audience experienced lament performances by singer and musician Noora Kauppila in natural mires in Finland, and it asks the research question: What kinds of environmental emotions have laments in the mire provoked, and how are emotions contextualised in audience interviews? Art performances in the mire have become part of a growing international mire trend in the 21st century. I understand mires as a living heritage that reflects the diversity and inter-connectedness of heritage elements (e.g. practices and knowledge concerning nature) experienced by community members and individuals. The effectiveness of art (lament performances) is linked to reception research, which has not previously been applied to mire art performances. In the debate on the impact of art, the experiential perspective has been marginal. In the interview material, individuals’ experiences reveal strong emotions about the endangered environment. The lament performance transformed a mire into a culturally appropriated space for the collective and individual processing of emotions regarding a fragile natural environment. The interviewees reported unwanted changes in their own surroundings, and their feelings about the changes were reflected in the observed decline in the habitats of birds and other mire animals. In a broad sense, the article offers insights into the meanings and changes of an individual’s relationship with nature. The research evidence suggests that a communal context is needed to deal with environmental emotions, especially negative emotions like sorrow, hatred and grief. Likewise, the individual accounts reveal a need for a communal change in abandoning unsustainable lifestyles. The article is based on research that has been undertaken as part of the ‘Mire Trend’ research project at the University of Eastern Finland.  
本文从环境艺术接受的个体体验出发,探讨环境情感这一话题。本研究以芬兰歌手、音乐家Noora Kauppila在自然泥沼中的悲歌表演为研究焦点,并提出研究问题:泥沼中的悲歌引发了什么样的环境情感,以及这些情感是如何在听众访谈中语境化的?在21世纪,泥沼艺术表演已成为日益增长的国际泥沼潮流的一部分。我认为地垢是一种活的遗产,反映了社区成员和个人所经历的遗产元素(例如有关自然的实践和知识)的多样性和相互关联性。艺术(悲叹表演)的有效性与接受研究有关,而这一研究此前并未应用于悲叹艺术表演。在关于艺术影响的辩论中,经验视角一直处于边缘地位。在访谈材料中,个人的经历揭示了对濒危环境的强烈情感。悲叹表演将一个泥潭变成了一个文化上的空间,在脆弱的自然环境中,集体和个人处理情感。受访者反映他们所处的环境发生了不希望看到的变化,他们对这些变化的感受反映在观察到的鸟类和其他沼泽动物栖息地的减少上。从广义上讲,这篇文章提供了对个人与自然关系的意义和变化的见解。研究证据表明,处理环境情绪,尤其是悲伤、仇恨和悲伤等负面情绪,需要一个公共环境。同样,个人账户也表明,需要集体改变,放弃不可持续的生活方式。这篇文章基于东芬兰大学“泥潭趋势”研究项目的一部分所进行的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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