{"title":"Documenting Crises: Raising Awareness through Documentary Film","authors":"Philip E. Phillis","doi":"10.3366/edinburgh/9781474437035.003.0009","DOIUrl":null,"url":null,"abstract":"In the final chapter, the author focuses on the most recent efforts by Greek filmmakers to direct attention to the ongoing refugee crisis. In particular, 4.1 Miles (2016) and Summer on the Island of Good (2009), exhibited online , deal head-on with the plight of refugees in Greece and en route to Europe and simultaneously reveal the indifference of the European community and the difficulties that Greece faces in managing the situation amidst its financial crisis. In addition, Golden Dawn: a Personal Affair/Xrysi Avgi:Prosopiki Ypothesi (2016) sheds light on the alarmingly growing popularity of the neo-Nazi party Golden Dawn which has spearheaded a racist rhetoric and attacks on refugees. The discussion thus focuses on cinema as a means towards raising awareness, to politically engage with endemic xenophobia and to challenge cultural perceptions. Ultimately, this chapter aims to show the potential of Greek cinema to document the plight of refugees in a manner that mainstream media and the political establishment overlook.","PeriodicalId":185381,"journal":{"name":"Greek Cinema and Migration, 1991-2016","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Greek Cinema and Migration, 1991-2016","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474437035.003.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In the final chapter, the author focuses on the most recent efforts by Greek filmmakers to direct attention to the ongoing refugee crisis. In particular, 4.1 Miles (2016) and Summer on the Island of Good (2009), exhibited online , deal head-on with the plight of refugees in Greece and en route to Europe and simultaneously reveal the indifference of the European community and the difficulties that Greece faces in managing the situation amidst its financial crisis. In addition, Golden Dawn: a Personal Affair/Xrysi Avgi:Prosopiki Ypothesi (2016) sheds light on the alarmingly growing popularity of the neo-Nazi party Golden Dawn which has spearheaded a racist rhetoric and attacks on refugees. The discussion thus focuses on cinema as a means towards raising awareness, to politically engage with endemic xenophobia and to challenge cultural perceptions. Ultimately, this chapter aims to show the potential of Greek cinema to document the plight of refugees in a manner that mainstream media and the political establishment overlook.
在最后一章中,作者将重点放在希腊电影制作人最近的努力上,以引起人们对正在进行的难民危机的关注。特别是网上展出的《4.1 Miles》(2016)和《Summer on the Island of Good》(2009)直面了希腊境内和前往欧洲途中的难民的困境,同时也揭示了欧洲社会的冷漠和希腊在金融危机中所面临的困境。此外,《金色黎明:私人事件》/Xrysi Avgi:Prosopiki pothesi(2016)揭示了新纳粹政党金色黎明党日益增长的令人担忧的人气,该党率先发表种族主义言论并攻击难民。因此,讨论的重点是电影作为一种提高意识的手段,在政治上参与到地方性的仇外心理中,并挑战文化观念。最终,本章旨在展示希腊电影以主流媒体和政治机构忽视的方式记录难民困境的潜力。