Co-Tuning Virtual-Acoustic Performance Ecosystems: observations on the development of skill and style in the study of musician-instrument relationships

P. Stapleton, M. V. Walstijn, Sandor Mehes
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引用次数: 6

Abstract

In this paper we report preliminary observations from an ongoing study into how musicians explore and adapt to the parameter space of a virtual-acoustic string bridge plate instrument. These observations inform (and are informed by) a wider approach to understanding the development of skill and style in interactions between musicians and musical instruments. We discuss a performance-driven ecosystemic approach to studying musical relationships, drawing on arguments from the literature which emphasise the need to go beyond simplistic notions of control and usability when assessing exploratory and performatory musical interactions. Lastly, we focus on processes of perceptual learning and co-tuning between musician and instrument, and how these activities may contribute to the emergence of personal style as a hallmark of skilful music-making. ABSTRACT This paper provides a sample of a L A TEX document for the NIME conference series. It conforms, somewhat loosely, to the formatting guidelines for ACM SIG Proceedings. It is an alternate style which produces a tighter-looking paper and was designed in response to concerns expressed, by authors, over page-budgets. It complements the document Author’s (Alternate) Guide to Preparing ACM SIG Proceedings Us- ing L A TEX 2 ✏ and BibTEX . This source file has been written with the intention of being compiled under L A TEX2 ✏ and BibTeX.Tomake best use of this sample document, run it through L A TEX and BibTeX, and compare this source code with your compiled PDF file. A compiled PDF version is available to help you with the ‘look and feel.’ The paper submit- ted to the NIME conference must be stored in an A4-sized PDF file, so North Americans should take care not to inadvertently generate letter paper-sized PDF files. This paper template should prevent that from happening if the pdflatex program is used to generate the PDF file. The abstract should preferably be between 100 and 200 words.
共调虚拟声学表演生态系统:在研究乐器关系中对技巧和风格发展的观察
在本文中,我们报告了一项正在进行的关于音乐家如何探索和适应虚拟声学弦桥板乐器参数空间的研究的初步观察结果。这些观察结果为理解音乐家和乐器之间的互动中技巧和风格的发展提供了更广泛的方法。我们讨论了一种性能驱动的生态系统方法来研究音乐关系,借鉴了文献中的论点,这些文献强调在评估探索性和表演性音乐互动时,需要超越简单的控制和可用性概念。最后,我们将重点关注音乐家和乐器之间的感知学习和共调的过程,以及这些活动如何有助于个人风格的出现,作为熟练音乐制作的标志。本文提供了一个用于NIME系列会议的L - a - TEX文档示例。它有点松散地符合ACM SIG论文集的格式指南。这是另一种风格,可以产生更紧凑的纸张,是为了回应作者对页面预算的关注而设计的。它补充了文档《作者(备选)编写ACM SIG论文集指南》- ing L A TEX 2和BibTEX。此源文件的编写目的是在L A TEX2和BibTeX下进行编译。为了充分利用这个示例文档,请通过latex和BibTeX运行它,并将此源代码与已编译的PDF文件进行比较。已编译的PDF版本可以帮助您了解外观和感觉。提交给NIME会议的论文必须存储在a4大小的PDF文件中,所以北美人应该注意不要无意中生成信纸大小的PDF文件。如果使用pdflatex程序生成PDF文件,这个纸模板应该可以防止这种情况发生。摘要最好在100到200字之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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