The Stuff of Fiction: Digital Editing, Multiple Drafts and the Extended Mind

D. Hulle
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引用次数: 6

Abstract

Since genetic criticism regards modern manuscripts as a research object in and of itself, it objects to an editorial practice that treats manuscript studies as a mere tool towards the making of a scholarly edition. Still, an exchange of ideas between genetic criticism and scholarly editing can be mutually beneficial and may work in two directions. This essay therefore starts from digital scholarly editing, more specifically from recent developments in computer-assisted collation of multiple draft versions, to see how it can contribute to the study of modern manuscripts. The argument is that the combination of textual scholarship and genetic criticism can be an effective instrument for literary critics, enabling them to study the material aspect of the writing process as an inherent part of what cognitive philosophy calls “the extended mind”; and that this extensiveness does not only apply to the writer’s mind, but that an awareness of manuscripts as a crucial part of the “stuff of fiction” can also contribute to a better understanding of literary evocations of the fictional mind.
小说的材料:数字编辑,多重草稿和扩展思维
由于基因批评将现代手稿本身视为一个研究对象,因此它反对将手稿研究仅仅作为制作学术版本的工具的编辑实践。尽管如此,基因批评和学术编辑之间的思想交流可以是互利的,并且可能在两个方向上起作用。因此,本文从数字学术编辑开始,更具体地说,从计算机辅助整理多个草稿版本的最新发展开始,看看它如何为现代手稿的研究做出贡献。这种观点认为,文本研究和遗传批评的结合可以成为文学批评家的有效工具,使他们能够研究写作过程的物质方面,将其作为认知哲学所称的“延伸思维”的固有部分;这种广泛性不仅适用于作家的思想,而且意识到手稿是“小说材料”的重要组成部分,也有助于更好地理解虚构思想的文学唤起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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