Szenarien des Entwerfens

K. Maar
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Abstract

The contribution aims to look at the figure of the scenario as a format directed toward the future, which introduces into the choreographic process the potential agencies of singular materials and media, procedures and practices. On the one hand, the scenario connects to the context of its emergence and on the other, it emphasizes the unpredictable which occurs within the relationality of singular agencies and their assemblages. The various practices of scenography open up the spatial dimension of choreographic assignments and their negotiation within the occurring arrangements. To examine these different ideas and link them to each other, the essay looks at William Forsythe’s ‚Human Writes‘ and explores the concept of his choreographic objects as a mode of expanded choreography, as well Meg Stuart’s ‚sketches / notebook‘ as an interdisciplinary ritual.
该贡献旨在将场景的形象视为一种面向未来的形式,将单一材料和媒介、程序和实践的潜在代理引入编排过程。一方面,场景连接到其出现的背景,另一方面,它强调在单一机构及其组合的关系中发生的不可预测性。各种舞台剧的实践打开了编舞任务的空间维度,并在发生的安排中进行协商。为了研究这些不同的想法并将它们相互联系起来,本文着眼于威廉·福赛斯的《人类写作》,并探讨了他的编舞对象作为一种扩展编舞模式的概念,以及梅格·斯图尔特的《素描/笔记本》作为一种跨学科仪式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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