Ukrainian Traditional Circus in Today's Reality: Between Formation and Abasement

J. Romanenkova
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Abstract

The article is dedicated to modern Ukrainian circus art. Ukraine has a very powerful circus school, represented by highly professional specialists in all the leading genres of circus art. The problem of the traditional circus’s existence is actualized in the face of the challenges of modern society. The fact that a traditional circus is possible only if it contains the animal training genre is emphasized, i.e. use of animals in circus shows. The importance of analyzing the issue solely on the example of state stationary circuses (Ukraine has seven such organizations today) is emphasized, i.e. on the example of circus institutions that own buildings and conditions for animals standing, providing them with the necessary veterinary care, feeding and the necessary regime of keeping. The main challenges of our time are given that threaten the existence of animal training as a genre of circus art: COVID-2019, which made circus performances almost impossible as an element of mass entertainment events due to quarantine restrictions, the Russian-Ukrainian war, which destroys, among other things, the circus industry, the bill about the prohibition of the use of animals in circuses, which threatens the existence of the traditional circus as a whole. The debatable nature of the problem is emphasized, the presence of moral, ethical, legal and economic components of the issue is emphasized. Circus art nowadays can rightfully be considered one of the most advantageous components of the system of performing arts in Ukraine, despite the fact that it has quite a lot of controversial, debatable aspects. Even the classification of this phenomenon has always caused difficulties: whether to consider the circus a sport or an art, what is its place in the system of arts, whether to recognize circus science as an independent field of knowledge.
乌克兰传统马戏在今天的现实:在形成与屈辱之间
这篇文章致力于乌克兰现代马戏艺术。乌克兰有一个非常强大的马戏学校,由所有主要马戏艺术流派的高度专业的专家代表。传统马戏的生存问题是在面对现代社会的挑战时表现出来的。传统的马戏只有在包含动物训练类型的情况下才有可能,即在马戏表演中使用动物。强调仅以国家固定马戏团为例分析问题的重要性(乌克兰目前有七个这样的组织),即以马戏团机构为例,这些机构拥有动物站立的建筑物和条件,为它们提供必要的兽医护理、喂养和必要的饲养制度。我们这个时代面临的主要挑战威胁着作为马戏艺术类型的动物训练的存在:2019冠状病毒病,由于检疫限制,马戏表演几乎不可能成为大众娱乐活动的组成部分;俄罗斯-乌克兰战争,摧毁了马戏产业;关于禁止在马戏团使用动物的法案,威胁到整个传统马戏的存在。强调了该问题的可辩论性,强调了该问题的道德、伦理、法律和经济组成部分的存在。如今,马戏艺术可以理所当然地被认为是乌克兰表演艺术系统中最有利的组成部分之一,尽管它有很多有争议,有争议的方面。甚至对这一现象的分类也总是引起困难:究竟是将马戏视为一种运动还是一种艺术,它在艺术体系中的地位是什么,是否将马戏科学视为一门独立的知识领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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