Prologue (and Epilogue)

R. Curti
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引用次数: 0

Abstract

This chapter provides an overview of Mario Bava's film Blood and Black Lace (6 donne per l'assassino) in 1964. It mentions critics and commentators of the Blood and Black Lace movie who were spellbound by its fascinating visual analogy that links the opening and final images. It also looks into analyzations of the film that proposes the most disparate interpretations. The chapter discusses Bava's demystifying explanation of his movie in an interview published in 1979, just one year before his death. It talks about the significance of the opening scene of Blood and Black Lace and interprets the connection between the signboard swinging at the beginning, during a rainstorm, and the telephone falling on the ground.
序言(和尾声)
本章概述了1964年马里奥·巴瓦的电影《血与黑丝带》(6 donne per l’assassino)。它提到了电影《血与黑蕾丝》的评论家和评论员,他们被电影开头和结尾令人着迷的视觉类比所吸引。它还研究了对电影的分析,提出了最不同的解释。这一章讨论了巴瓦在1979年发表的一次采访中对他的电影的揭开神秘面纱的解释,就在他去世前一年。讨论了《血与黑蕾丝》开场的意义,解读了开头在暴雨中摇摆的广告牌与掉在地上的电话之间的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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