{"title":"Capturing and Documenting Creative Processes in Contemporary Dance","authors":"C. Ribeiro, R. K. D. Anjos, Carla Fernandes","doi":"10.1145/3077981.3078041","DOIUrl":null,"url":null,"abstract":"The performing arts, and dance in particular, have been considered as intangible cultural heritage by UNESCO since 2003. This acknowledgement reflects the importance of preserving the knowledge generated within this art form for future generations. Nevertheless, what and how this sensible material should be preserved is still lacking clear methodological approaches. When considering creative processes, this seems an even more daunting task, as it goes beyond simply documenting the final product of a creation. Recent advancements in technology has allowed to consider other approaches of capturing data apart from video or photography, which are mostly static and have a single viewpoint. In this paper we describe how 3D data capture and point cloud visualization techniques have been used to capture and document João Fiadeiro's choreographic and compositional processes. Together with Fiadeiro we have identified a sub-set of core concepts of his method which have then been used to conduct two improvisation sessions involving Fiadeiro's dancers and himself. Those concepts have been used as the basis for the development of new visualization techniques that better illustrate, in an interactive system, the complexity of Fiadeiro's creative process.","PeriodicalId":206209,"journal":{"name":"Proceedings of the 4th International Conference on Movement Computing","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"15","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 4th International Conference on Movement Computing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3077981.3078041","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 15
Abstract
The performing arts, and dance in particular, have been considered as intangible cultural heritage by UNESCO since 2003. This acknowledgement reflects the importance of preserving the knowledge generated within this art form for future generations. Nevertheless, what and how this sensible material should be preserved is still lacking clear methodological approaches. When considering creative processes, this seems an even more daunting task, as it goes beyond simply documenting the final product of a creation. Recent advancements in technology has allowed to consider other approaches of capturing data apart from video or photography, which are mostly static and have a single viewpoint. In this paper we describe how 3D data capture and point cloud visualization techniques have been used to capture and document João Fiadeiro's choreographic and compositional processes. Together with Fiadeiro we have identified a sub-set of core concepts of his method which have then been used to conduct two improvisation sessions involving Fiadeiro's dancers and himself. Those concepts have been used as the basis for the development of new visualization techniques that better illustrate, in an interactive system, the complexity of Fiadeiro's creative process.
表演艺术,尤其是舞蹈,自2003年起就被联合国教科文组织列为非物质文化遗产。这种认可反映了为后代保存这种艺术形式中产生的知识的重要性。然而,这些敏感的材料应该保存什么以及如何保存,仍然缺乏明确的方法方法。当考虑到创造过程时,这似乎是一项更加艰巨的任务,因为它不仅仅是记录创造的最终产品。最近的技术进步使得人们可以考虑除视频或摄影之外的其他捕获数据的方法,这些方法大多是静态的,只有一个视点。在本文中,我们描述了如何使用3D数据捕获和点云可视化技术来捕获和记录jo o Fiadeiro的编舞和构图过程。与Fiadeiro一起,我们确定了他的方法的核心概念的子集,然后用于Fiadeiro的舞者和他自己进行两次即兴表演。这些概念被用作开发新的可视化技术的基础,这些技术在交互系统中更好地说明了Fiadeiro创作过程的复杂性。