{"title":"Living a Modern Life in Hokkaidō as a Young Ainu Dancer","authors":"Mana Shinoda","doi":"10.22459/IE.2018.17","DOIUrl":null,"url":null,"abstract":"I live in an Ainu village in Hokkaidō where a number of Ainu people once made their living by hunting, fishing and trading. I was born in 1987 to a Japanese mother and an Ainu father; my mother raised me as an ethnic Japanese. As time passed, I came to identify the Ainu-ness in my blood. Today, I spend time learning about Ainu traditional embroidery and manual work and make a living by performing Ainu traditional dance at the Ainu theatre ‘Ikor’ at Akan Lake in Kushiro. I have met some people who say that Ainu culture is dying, or who utter that there may not be any Ainu. They have the following assumptions: Ainu culture is a relic of the past; Ainu live in traditional houses and wear their traditional clothes and speak the Ainu language. Are those assumptions right?","PeriodicalId":269990,"journal":{"name":"Indigenous Efflorescence: Beyond Revitalisation in Sapmi and Ainu Mosir","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Indigenous Efflorescence: Beyond Revitalisation in Sapmi and Ainu Mosir","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22459/IE.2018.17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
I live in an Ainu village in Hokkaidō where a number of Ainu people once made their living by hunting, fishing and trading. I was born in 1987 to a Japanese mother and an Ainu father; my mother raised me as an ethnic Japanese. As time passed, I came to identify the Ainu-ness in my blood. Today, I spend time learning about Ainu traditional embroidery and manual work and make a living by performing Ainu traditional dance at the Ainu theatre ‘Ikor’ at Akan Lake in Kushiro. I have met some people who say that Ainu culture is dying, or who utter that there may not be any Ainu. They have the following assumptions: Ainu culture is a relic of the past; Ainu live in traditional houses and wear their traditional clothes and speak the Ainu language. Are those assumptions right?