Overview of Marriage Customs and Bridal Make Up at Gadang House 21 Nagari Abai Sangir Room, South Solok Regency, West Sumatra

Wilya Santika, Hayatunnufus Hayatunnufus
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引用次数: 1

Abstract

This study explores information about traditional wedding ceremonies and bridal makeup in Nagari Abai Sangir in terms of wedding ceremony processions, bridal makeup, bridal fashion and accessories and the meaning of bridal fashion and accessories. This study aims to describe the wedding ceremony procession, the form of bridal makeup, the form of bridal clothing and accessories, describe the meaning of bridal clothing and accessories. This type of research is qualitative research. This research instrument is the researcher himself and is assisted by supporting instruments such as stationery, tape recorders and cameras. Data collection techniques are carried out by means of observation, interviews and documentation. The techniques of checking the validity of data in this study are the extension of observations, increased persistence, triangulation and auditing. The steps to analyze data are data collection, data reduction, data presentation and making  conclusions. The results of this study are 1) marriage ceremonies at the gadang house 21 Nagari Abai Sangir rooms including ceremonies before marriage, wedding ceremonies and post-wedding ceremonies, 2) in Nagari Abai Sangir before the bride and groom are made up first carry out the ritual of eating betel while reciting prayers called pamanih, 3) the form of clothing and accessories of the bride in the gadang house 21 nagari Abai Sangir room consists of suntiang,  kuruang clothes, salendang, orok, kaluang omeh, galang furnace, tarompa tinggi, while the groom's clothes consist of shirts, sarawa rocking saruang cloth, litau bridal accessories, kaluang and keris, 4) suntiang contains the meaning of a bride must be able to carry a heavy burden after having a family, kuruang clothes show minangkabau democracy, salendang contains the meaning of there are parts of a woman's body that others should not know, orok contains the meaning of women must cover aurat, neck jewelry as beauty and wealth sipemakainya, hand jewelry has the meaning to act must have limits, high tarompa contains the meaning of travel must be careful,  while the meaning of the groom's dress includes Shirts symbolizing the greatness of the wearer and having a big spirit, sarawa goyang symbolizes all acts of work must have a size, saruang cloth symbolizes having to obey customs and sharak, litau symbolizes a leader in the family and his people, keris symbolizes a person must be careful and think first before acting, shoes symbolize a leader must manage to take his family in a more important direction  good. It is recommended that it be able to consider and preserve the customs of Marriage in Nagari Abai Sangir in terms of bridal makeup, bridal fashion and accessories and their meaning.
西苏门答腊岛南索洛摄县,加当府21号Nagari Abai Sangir房间的婚俗和新娘化妆概述
本研究从婚礼队伍、新娘化妆、新娘服装和配饰以及新娘服装和配饰的意义等方面探讨了Nagari Abai Sangir传统婚礼和新娘化妆的信息。本研究旨在描述婚礼仪式的仪仗队,新娘化妆的形式,新娘服装和配饰的形式,描述新娘服装和配饰的意义。这种类型的研究是定性研究。这个研究工具是研究人员自己,并辅以配套仪器,如文具,录音机和照相机。数据收集技术是通过观察、访谈和记录的方式进行的。在本研究中,检验数据有效性的技术是观察延伸、增加持久性、三角测量和审计。数据分析的步骤是数据收集、数据简化、数据呈现和得出结论。本研究的结果是:1)加当屋的结婚仪式21个Nagari Abai Sangir房间包括结婚前,婚礼仪式和婚后仪式,2)在Nagari Abai Sangir,新娘和新郎在化妆前首先进行吃槟榔的仪式,同时诵经,称为pamanih, 3)新娘在加当屋21个Nagari Abai Sangir房间的服装和配饰的形式包括sununtiang, kuruang服装,salendang, orok,Kaluang omeh, galang furnace, tarompa tinggi,而新郎的衣服由衬衫,sarawa摇saruang布,litau新娘配饰,Kaluang和keris组成,sununtiang包含了新娘必须能够在拥有家庭后承担沉重的负担,kuruang服装显示了minangkabau民主,salendang包含了女人身体的某些部分是别人不应该知道的意思,orok包含了女人必须覆盖的意思,脖子上的首饰象征着美丽和财富的siemakainya,手上的首饰有行动必须有限制的意思,高tarompa含有旅行必须小心的意思,而新郎的礼服的意思包括象征着穿着者的伟大和有一个大的精神,sarawa高阳象征着所有的工作行为必须有一个大小,saruang布象征着必须服从习俗和sharak, litau象征着一个家庭和他的人民的领导者,Keris象征着一个人必须三思而后行,鞋子象征着一个领导者必须设法把他的家庭朝一个更重要的方向好。建议在新娘化妆、新娘时尚和配饰及其意义方面,能够考虑并保留Nagari Abai Sangir的婚姻习俗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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