The contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia

P. Taçon, Wayne Brennan, Graham King, Dave Pross, Matthew H. Kelleher
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Abstract

In 2001 we began The Landscape of Blue Mountain Rock Art research project. Since then, over 250 rock art sites have been recorded in Wollemi National Park, consisting of engravings, drawings, stencils and some paintings. Two of the largest, best preserved and culturally significant sites are Eagle’s Reach, with drawings and stencils, and Gallery Rock, an engraved platform. Although images were made using very different techniques there are many common subjects and stylistic features between the sites. Each location also shares imagery with smaller sites across southern Wollemi, where most research has been undertaken. For contemporary Aboriginal people of the Greater Blue Mountains World Heritage Area these two sites are highly significant as inter-related cultural places that are focal points within larger cultural landscapes. In this paper, we report the contemporary cultural significance of Gallery Rock and articulate its relationship to Eagle’s Reach and other nearby rock shelter art sites. Discussion focuses on the interpretation of some figures as key Ancestral Beings and whether some, such as Baiame, have a pre-European settlement context, something of great interest to John Clegg who visited Gallery Rock in 2007.
画廊岩石的当代文化意义,最近在澳大利亚新南威尔士州的沃勒米国家公园发现了一个岩画建筑群
2001年,我们开始了蓝山岩石艺术景观研究项目。从那时起,沃勒米国家公园记录了250多个岩石艺术遗址,包括雕刻、素描、模板和一些绘画。其中规模最大、保存最完好且具有重要文化意义的两个地方是Eagle’s Reach,那里有绘画和模板,以及Gallery Rock,一个雕刻平台。虽然图像是用非常不同的技术制作的,但在这些地点之间有许多共同的主题和风格特征。每个地点还与沃勒米南部较小的地点共享图像,大部分研究都在那里进行。对于大蓝山世界遗产区的当代土著居民来说,这两个遗址非常重要,因为它们是相互关联的文化场所,是更大文化景观的焦点。在本文中,我们报告了Gallery Rock的当代文化意义,并阐明了它与Eagle’s Reach和其他附近岩石庇护所艺术遗址的关系。讨论的重点是对一些人物作为关键祖先的解释,以及一些人物,如巴ame,是否有欧洲殖民前的背景,这是约翰·克莱格(John Clegg)在2007年参观了画廊Rock后非常感兴趣的事情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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