Walter Gropius and Operative History: an Architectural Palimpsest

Jasmine Benyamin
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Abstract

This essay evaluates the legacy of the pedagogical model set by Walter Gropius and other founders of the Bauhaus on subsequent curricula for schools of architecture. More specifically, it uses Walter Gropius’ views on history as a backdrop for a closer reading of operative history. While at the Bauhaus, Walter Gropius did not initially mandate the teaching of history. Later, as Dean of Harvard’s Graduate School of Design, he re-structured the history sequence as electives, thereby undermining its hitherto central role in what he viewed as a traditional approach to pedagogy that was overly analytical and intellectual. Rather, he encouraged his students to “make history” for themselves. What are the manifestations of operative history in architecture schools today, and how have they gone beyond references to 20th century Modernism? It is undeniable that there is a concerted effort among contemporary historians to complicate the history of the movement. Nonetheless, the impulse to self edit persists, such that imagery of like minded practitioners converge and sometime eclipse other architectural production.
沃尔特·格罗皮乌斯和操作史:建筑重写
本文评估了沃尔特·格罗皮乌斯和包豪斯的其他创始人在随后的建筑学校课程中所设定的教学模式的遗产。更具体地说,它以沃尔特·格罗皮乌斯的历史观为背景,仔细阅读手术史。在包豪斯时,沃尔特·格罗皮乌斯(Walter Gropius)最初并没有要求教授历史。后来,作为哈佛大学设计研究生院院长,他将历史课程重组为选修课,从而削弱了历史课程迄今为止在他看来过于分析性和知识性的传统教学法中的核心作用。相反,他鼓励学生为自己“创造历史”。在今天的建筑学校中,操作历史的表现是什么?它们是如何超越对20世纪现代主义的参考的?不可否认的是,在当代历史学家中,有一种共同的努力,使这一运动的历史复杂化。尽管如此,自我编辑的冲动仍然存在,这样志同道合的从业者的图像会汇聚在一起,有时会使其他建筑作品黯然失色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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