Book-worlds and ordering systems as sites of invention

C. Lueder
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引用次数: 1

Abstract

The making and structuring of books provides an alternative site of invention and knowledge production to architects, alongside practice and theory. The book-worlds examined here - S,M,L,XL, by Rem Koolhaas and Bruce Mau, foa’s ark, by Alejandro Zaera-Polo and Farshid Moussavi, and 49 Cities, by Amale Andraos and Dan Wood (Figure 1) - depart from the model of the practice monograph by constructing book-contexts within which they re-situate architectural, or utopian urban projects. Their constitutive devices, namely lists (S,M,L,XL), taxonomy (foa’s ark), and typology (49 Cities), are used as instruments of cosmography, that is, as devices that organize representations of the world and articulate world-views. At the same time, they constitute instruments of cosmopoiesis, that is, inventions of new worlds that are created within the books. Each of the three books uses classification to construct new contexts, which place architectural or urban utopian projects in new relationships, through juxtaposition (S,M,L,XL), through a taxonomical tree that diagrams evolution (foa’s ark), or a typological matrix that correlates data (49 Cities). The three books adapt systems of classification to produce new meaning and associate their subject matter with new interpretations and implications.
作为发明场所的书籍世界和排序系统
除了实践和理论之外,书籍的制作和结构为建筑师提供了另一种发明和知识生产的场所。这里考察的书籍世界——雷姆·库哈斯和布鲁斯·茂的《S、M、L、XL》,亚历桑德罗·扎拉-波罗和法希德·穆萨维的《foa的方舟》,以及阿迈勒·安德拉奥斯和丹·伍德的《49座城市》(图1)——通过构建书籍语境来重新定位建筑或乌托邦城市项目,从而脱离了实践专著的模式。它们的构成工具,即列表(S,M,L,XL),分类法(foa的方舟)和类型学(49个城市),被用作宇宙学的工具,也就是说,作为组织世界表征和阐明世界观的工具。同时,它们构成了宇宙创造的工具,也就是说,在书中创造的新世界的发明。这三本书都使用分类来构建新的语境,将建筑或城市乌托邦项目置于新的关系中,通过并置(S,M,L,XL),通过描绘进化的分类树(foa的方舟)或关联数据的类型学矩阵(49个城市)。这三本书适应系统的分类产生新的意义和联系他们的主题与新的解释和含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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