Art and Accounting History: The Teatro San Carlo of Naples, 1737–1786

V. Antonelli, R. D’Alessio, G. Iuliano
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引用次数: 5

Abstract

Abstract Situated in the centre of Naples, the Teatro San Carlo (TSC) was founded in 1737 by the Bourbon Crown during the Reign of the Two Sicilies (one of the several states into which Italy was divided in the eighteenth century), The theatre immediately became an object of admiration and was soon held to be without equal for the perfection of its acoustics. Its original project was described in the Encyclopédie by Diderot as a prime example of a modern theatre. The TSC was one of the most important theatres of Europe in the eighteenth century thanks to its opera buffas, ballets, comedies and operas. This paper examines developments in the management system (private vs. public), the organisational structure, the artistic and administrative activities as well as the accounting practices of the TSC during a period of approximately fifty years (from 1737 to 1786).
艺术与会计史:那不勒斯圣卡洛剧院,1737-1786
位于那不勒斯市中心的圣卡洛剧院(TSC)于1737年由波旁王室在两西西里统治时期(意大利在18世纪分裂为几个州之一)建立,剧院立即成为钦佩的对象,并很快因其完美的音响效果而被认为无与伦比。在Diderot的《百科全书》中,它的最初项目被描述为现代剧院的典范。在18世纪,TSC是欧洲最重要的剧院之一,这要归功于它的歌剧、芭蕾、喜剧和歌剧。本文考察了在大约50年的时间里(从1737年到1786年),TSC的管理系统(私人与公共)、组织结构、艺术和行政活动以及会计实践的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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