A Study On Japanese Mingei’s Birth In Taisho Era And Alienation In Showa Era

Yeyan Wu
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Abstract

Yanagi Sōetsu put forward the word "Mingei (Folk Craft)" in 1925 and jointly published the "Purport Book on the Establishment of Japan Mingei Museum" with Tomimoto Kenkichi, Kawai Kanjiro, and Hamada Shoji the following year, so as to launch Japan’s "Mingei movement". Some scholars have noticed that during World War II, Mingei was related to "life culture" with fascist ideology, and there was a historical phenomenon that Mingei served politics. This paper attempts to interpret the first-hand texts of Yanagi Sōetsu, Kunio Kishida, and Kiyoshi Miki, discuss how Mingei with a "healthy" original intention came into being, and how it gradually became a tool for Japanese fascist aggression and expansion. Mingei originated in the period of "Taisho Democracy," with a strong left-wing flavor in Japanese history. It contains a beautiful vision of making society "healthy". It has gained influence with the support of elites, and the Mingei movement has progressed well in rural and urban society. Later, Mingei gradually attracted the attention of the Showa fascist government and was absorbed by the concept of "life culture" advocated by the new system in 1940, which was alienated and became a tool for the mobilization of the Japanese fascist war.
日本明名在大正时代的诞生与昭和时代的异化研究
柳木Sōetsu于1925年提出“民间工艺”一词,次年与富本健一、河合金二郎、滨田正二共同出版了《关于建立日本明艺博物馆的主张书》,从而掀起了日本的“明艺运动”。有学者注意到,第二次世界大战期间,明名与法西斯意识形态的“生活文化”有关,存在着明名为政治服务的历史现象。本文试图通过对柳木Sōetsu、岸田国雄、三木清等人的第一手文本的解读,探讨具有“健康”初衷的明译是如何产生的,以及明译是如何逐渐成为日本法西斯侵略扩张的工具的。明义产生于“大正民主”时期,在日本历史上具有浓厚的左翼色彩。它包含了使社会“健康”的美好愿景。它在精英的支持下获得了影响力,明义运动在农村和城市社会都取得了良好的进展。后来明义逐渐引起昭和法西斯政府的注意,并被1940年新体制所倡导的“生命文化”理念所吸收,被异化,成为日本法西斯战争动员的工具。
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