Artistic Expressions of the Covid-19 Pandemic: Ideology and Otherness in the digital comic "The Wuhan I Know" by Laura Gao

Dr.Andrea Puchmüller
{"title":"Artistic Expressions of the Covid-19 Pandemic: Ideology and Otherness in the digital comic \"The Wuhan I Know\" by Laura Gao","authors":"Dr.Andrea Puchmüller","doi":"10.37854/acielj.2021.5101","DOIUrl":null,"url":null,"abstract":"This paper aims to analyze the graphic memoir \"The Wuhan I know\" (Gao, 2020) published on the WWW and social networks during the first stage of the Covid-19 pandemic. The comic narrates the discrimination towards Asians and, particularly, towards Wuhanese in the United States during the pandemic. The comic is approached from a postcolonial perspective and nodal conceptual concepts such as ideology, identity, and Otherness. Umberto Eco's theory (2008) has been followed to study the structure of the comic as an ideological statement. The analytical reading concludes that in the Covid-19 pandemic crisis, “The Wuhan I Know” acquires epistemic salience in a continuum of discriminatory discourses that it attempts to deconstruct.","PeriodicalId":236399,"journal":{"name":"Alford Council of International English & Literature Journal","volume":"54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Alford Council of International English & Literature Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37854/acielj.2021.5101","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This paper aims to analyze the graphic memoir "The Wuhan I know" (Gao, 2020) published on the WWW and social networks during the first stage of the Covid-19 pandemic. The comic narrates the discrimination towards Asians and, particularly, towards Wuhanese in the United States during the pandemic. The comic is approached from a postcolonial perspective and nodal conceptual concepts such as ideology, identity, and Otherness. Umberto Eco's theory (2008) has been followed to study the structure of the comic as an ideological statement. The analytical reading concludes that in the Covid-19 pandemic crisis, “The Wuhan I Know” acquires epistemic salience in a continuum of discriminatory discourses that it attempts to deconstruct.
新冠肺炎大流行的艺术表现:劳拉·高的数字漫画《我认识的武汉》中的意识形态和他者性
本文旨在分析新冠肺炎大流行第一阶段在互联网和社交网络上发表的图文回忆录《我认识的武汉》(Gao, 2020)。这部漫画讲述了疫情期间美国对亚洲人,尤其是对武汉人的歧视。漫画是从后殖民的角度和节点的概念概念,如意识形态,身份,和他者。翁贝托·艾柯的理论(2008)一直遵循研究结构的漫画作为一种意识形态的声明。分析性阅读的结论是,在2019冠状病毒病大流行危机中,《我认识的武汉》在一系列歧视性话语中获得了认知上的显著性,并试图解构这些话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信