A photograph

C. Squiers
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引用次数: 14

Abstract

Few people ask, "What is a painting? A drawing? A sculpture?" But the medium of photography, especially since the 1970s, has been constantly changing as technological developments allow for endless experimentation - until the very definition of a photograph becomes ripe for debate. Beginning with the waning days of conceptual art, this book presents a wide variety of artists - among them James Welling, Christopher Williams, Uta Barth, Marco Breuer, Alison Rossiter, Parker Ito, Sigmar Polke, and Gerhard Richter - who have reconsidered and reinvented the role of light, color, composition, materiality, and subject in the art of photography. Brought together for the first time in book form, these individuals have found new ways of implementing both analog and digital technology, in many cases creating hybrid works that open up new possibilities for today's artists. Filled with brilliant colour reproductions, this volume not only traces the many strands of experimentation that have developed out of conceptual art, but also encourages dialogue on the continuing experimentation that is occurring as photography continues to evolve within the analogue and digital worlds. Published in association with the International Center of Photography.
一张照片
很少有人问:“画是什么?”一幅画吗?一个雕塑吗?”但是摄影的媒介,尤其是自20世纪70年代以来,一直在不断变化,因为技术的发展允许无休止的实验——直到照片的定义成熟到可以辩论。从观念艺术的衰落开始,这本书呈现了各种各样的艺术家-其中包括詹姆斯·韦林,克里斯托弗·威廉姆斯,Uta Barth,马可·布鲁尔,艾莉森·罗西特,帕克·伊托,西格玛·波尔克和格哈德·里希特-他们重新考虑并重新发明了光,色彩,构图,物性和主题在摄影艺术中的作用。这些人首次以书籍的形式聚集在一起,他们找到了实现模拟和数字技术的新方法,在许多情况下创造了混合作品,为当今的艺术家开辟了新的可能性。这本书充满了绚丽的色彩复制品,不仅追溯了从概念艺术中发展出来的许多实验,而且还鼓励了在模拟和数字世界中摄影不断发展的持续实验的对话。与国际摄影中心联合出版。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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