From Nowhere to Somewhere

H. Strohschein, Margaret Smith, L. Yates
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Abstract

In August 2020, two colleagues and I began an ongoing conversation on music, consent, power, language/jargon, accessibility, and inclusivity. We are not music therapists, but each of us, from our own professional and personal perspectives, is interested in the therapeutic nature of music. One colleague is a community musician in Glasgow, Scotland. She works for Good Vibrations and the Resonate Project which facilitate inclusive musical workshops and experiences. The other colleague is an amateur musician, participant advisor for one of her music groups, and a representative of people with additional support needs. I am an ethnomusicologist who specializes in Javanese and Balinese gamelan outside of Indonesia particularly as they pertain to community music making. We met through playing gamelan and through the Resonate workshops. Our conversations were a doorway for each of us into community music, musical academia, and the musical life of a woman with special needs. In our conversations, the question of accessibility as it is tied to language and power arose several times. In April 2021, we offered an edited video presentation of our conversations at the 2021 Mid- Atlantic Chapter of the Society of Ethnomusicology (MACSEM) virtual conference. In fall 2021, we hosted an event in collaboration with Good Vibrations at which we used our MACSEM video to facilitate an open conversation among academics, community musicians, music therapists, people with additional support needs, and members of the general public. One goal of this work is to provide unheard voices a place to speak. Our submission to Voices is a video reflection on our experiences beginning with our three-person, off-the-cuff conversations that originated over a year ago. Through this video, we will (literally) share our voices with your readership as we discuss our experiences of language, power, and whose voices are heard. We also reflect back on previous conversations by including our collaborative editing of the video itself. During our overall discussions, we came up with the title, “From nowhere to somewhere: Creating to Join a conversation.” This really helped focus our shared idea of what this is all about: three people from different life experiences and opportunities finding ways of speaking together and creating a format to have a voice in this arena. 
从无处到某处
2020年8月,我和两位同事开始了一场关于音乐、同意、权力、语言/行话、可访问性和包容性的持续对话。我们不是音乐治疗师,但我们每个人,从我们自己的专业和个人角度来看,都对音乐的治疗本质感兴趣。一位同事是苏格兰格拉斯哥的一名社区音乐家。她为“好振动”和“共鸣”项目工作,促进包容性音乐研讨会和体验。另一位同事是业余音乐家,是她的一个音乐团体的参与者顾问,也是有额外支持需求的人的代表。我是一名民族音乐学家,专门研究印尼以外的爪哇和巴厘佳美兰,特别是它们与社区音乐制作有关。我们是通过演奏佳美兰和共鸣工作室认识的。我们的谈话是我们每个人进入社区音乐、音乐学术界和一个有特殊需要的女人的音乐生活的一扇门。在我们的对话中,与语言和权力相关的可访问性问题多次出现。2021年4月,我们在民族音乐学学会(MACSEM) 2021中大西洋分会虚拟会议上提供了我们对话的编辑视频演示。在2021年秋季,我们与Good Vibrations(美好的振动)合作举办了一场活动,我们利用MACSEM视频促进了学者、社区音乐家、音乐治疗师、有额外支持需求的人以及公众之间的公开对话。这项工作的一个目标是为那些听不见的声音提供一个说话的地方。我们提交给《声音》的作品是一段视频,反映了我们的经历,从一年前我们三人的即兴对话开始。通过这段视频,我们将与你的读者分享我们的声音,讨论我们对语言、权力的体验,以及谁的声音会被听到。我们还通过对视频本身的合作编辑来回顾之前的对话。在我们的整体讨论中,我们想出了一个标题,“从虚无到某处:创造加入对话。”这确实帮助我们集中了共同的想法:三个有着不同生活经历和机会的人找到了一起说话的方式,并创造了一种在这个舞台上发出声音的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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