Dancing on the Volcano: Essays on the Culture of the Weimar Republic

Siegfried Mews, Thomas W. Kniesche, Stephen Brockmann
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引用次数: 1

Abstract

The culture of the Weimar Republic is important for understanding that of Nazi Germany and German history as a whole. Between 1918 and 1933, German culture was greatly concerned with modernity, and in particular with the transformation of old structures of aesthetic communication into those appropriate to a cultural "mass market". Recent debates about the German "sonderweg" - separate path to modernity - and German reunification, with its resurgence of right-wing ideologies, have forced a re-examination of the role of Weimar culture in German history, and a fresh look at the issues of cultural liberalism and repression during the Weimar Republic suggests important lessons for political, social and economic stability in the aftermath of reunification. In this volume, experts from a variety of fields - history, film studies, music, women's studies, German studies and art history - re-evaluate Weimar culture itself, and explore the ways in which it represented a variety of possible responses to modernity.
《在火山上跳舞:魏玛共和国文化论文集》
魏玛共和国的文化对于理解纳粹德国的文化和整个德国的历史是很重要的。1918年至1933年间,德国文化非常关注现代性,特别是将旧的审美传播结构转变为适合文化“大众市场”的结构。最近关于德国“sonderweg”(通往现代性的独立道路)和德国统一的辩论,以及右翼意识形态的复苏,迫使人们重新审视魏玛文化在德国历史上的作用,并重新审视魏玛共和国时期的文化自由主义和镇压问题,为统一后的政治、社会和经济稳定提供了重要的教训。在本卷中,来自各个领域的专家-历史,电影研究,音乐,妇女研究,德国研究和艺术史-重新评估魏玛文化本身,并探讨了它所代表的各种可能的现代性反应的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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