Making home in exile: Everyday practices and belongings in Palestinian refugee camps

Erin Cory
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Abstract

Palestinians share a history of exile oriented towards the loss and reclamation of a homeland, often expressed through a shared visual lexicon and mythos. In the context of refugee camps, however, local visual culture and everyday practices demonstrate how Palestinian lives are also grounded in local stories and experiences. How do Palestinian refugees deploy everyday practices to create their home spaces? What can these practices reveal about refugees’ myriad belongings? And, in thinking about these practices, what can be said about how a feeling of home can be articulated in exile, which is at its heart the forced removal/dislocation from home? This article uses a comparative ethnographic analysis of two Palestinian camps in Lebanon to challenge overarching narratives of ‘Palestinianness’ by calling attention to the rich multiplicity of Palestinian refugee identities. In focusing the analysis on everyday practices – specifically street art and walking – by which residents make and experience home in the camps, the article grapples with the seeming contradictions between ‘home’ and ‘exile’ that colour the experiences of not only Palestinians, but also refugees and asylum seekers in other circumstances of protracted uncertainty, as they attempt to migrate and make home in new countries.
在流亡中安家:巴勒斯坦难民营的日常活动和物品
巴勒斯坦人都有一段以失去家园和重建家园为目标的流亡历史,通常通过共同的视觉词汇和神话来表达。然而,在难民营的背景下,当地的视觉文化和日常实践表明,巴勒斯坦人的生活也植根于当地的故事和经历。巴勒斯坦难民如何运用日常实践来创造他们的家园空间?这些行为揭示了难民们无数财产的什么?并且,在思考这些实践时,我们能说些什么,关于在流亡中如何表达家的感觉,它的核心是被迫离开家园/错位?本文通过对黎巴嫩两个巴勒斯坦难民营的比较民族志分析,通过呼吁人们关注巴勒斯坦难民身份的丰富多样性,来挑战“巴勒斯坦性”的总体叙述。这篇文章集中分析了难民营居民在日常生活中创造和体验家的方式,特别是街头艺术和步行,文章努力解决了“家”和“流亡”之间看似矛盾的问题,这种矛盾不仅反映了巴勒斯坦人的经历,也反映了难民和寻求庇护者在其他长期不确定的情况下的经历,因为他们试图移民到新的国家并建立家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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