Representation of Cultural Identity in Harishankar Jaladas’ Sons of the Sea

N. Islam
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Abstract

Simply speaking, culture is the shared customs, ideas, beliefs, etc. of a particular group of people in a society or country. In his novel Jalaputra, which is translated into English as Sons of the Sea, Harishankar Jaladas describes about several rituals, Monosha Puja, gods and goddesses of fishermen, their prayers and recitation of manuscript etc. The fishermen of North Patenga lead their lives depending upon the mercy of the sea and they are also dependent on the moneylenders. They can never get release from the oppression of the moneylenders. Despite their misfortunes and oppression, these hard-working fishermen too have their own cultures and rituals, hopes and desires, moments of well and woe, love and hatred that are very much reflected in the novel. These fishermen are very aware of their cultural unity and identity. They have a strong respect for their own institutions and a firm belief in the rightness of their ideals. A strong bond of kinship and cooperation is also discernible among them. Fishermen also have their folklore, songs and stories. During their fishing work, they derive mental pleasure by singing folksongs on themes of everyday life. This paper will explore their rituals, customs and cultural elements that constitute them as separate entities. It will also discover several religious rituals and festivities which are the main magnetisms of this particular fishing community.
哈里尚卡尔·贾拉达斯《海之子》中文化认同的再现
简单地说,文化是一个社会或国家中某一特定群体的共同习俗、思想、信仰等。Harishankar Jaladas在他的小说《Jalaputra》(英文翻译为《海之子》)中描述了几个仪式,莫诺沙礼拜,渔民的神和女神,他们的祈祷和手稿背诵等。北Patenga的渔民依靠大海的仁慈生活,他们也依赖于放债人。他们永远无法摆脱放债人的压迫。尽管遭受不幸和压迫,这些勤劳的渔民也有自己的文化和仪式,希望和欲望,幸福和悲伤的时刻,爱与恨,这些都在小说中得到了很好的反映。这些渔民非常清楚他们的文化统一性和身份。他们对自己的制度有着强烈的尊重,对自己理想的正确性有着坚定的信念。在它们之间也可以看出强烈的亲缘关系和合作关系。渔民也有他们的民间传说、歌曲和故事。在捕鱼时,他们通过唱以日常生活为主题的民歌来获得精神上的愉悦。本文将探讨他们作为独立实体的仪式、习俗和文化元素。它还将发现一些宗教仪式和节日,这些仪式和节日是这个特殊捕鱼社区的主要吸引力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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