“The Angle of Ascent”

Ann Boyles
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Abstract

The poetry of Robert Hayden explores the process of individual and collective social and spiritual transformation in a variety of’ contexts, including contemporary culture, the Bahá’í Faith, black history, art, literature, nature, disease, and suffering. In developing his themes and images, Hayden ‘works through many of the central issues and events shaping the modern world and moves towards a “re-centering” or re-focusing of vision around a spiritual reality. A close reading of a number of’ Hayden’s poems, including “Words in the Mourning Time,” “The Broken Dark,” “From the Corpse Woodpiles, from the Ashes,” “Middle Passage,” “Runagate, Runagate,” “The Dream (1863),” “El-­Hajj Malik El-Shabazz,” “The Night-Blooming Cereus,” and “For a Young Artist” reveals the poet’s concentration on this process of change and growth. In an age that champions despair and unbelief, Hayden’s poems are records of a journey “from Can’t to Can,” from grief to hope, from death to life, from suffering to comfort, from brokenness to wholeness, from the earthbound state to flight. True to his vision of art as “ultimately religious in the broadest sense of the term,” Hayden has created a body of work that eloquently depicts the struggles and achievements of the human spirit.
“上升的角度”
罗伯特·海登(Robert Hayden)的诗歌探索了个人和集体在各种背景下的社会和精神转型过程,包括当代文化、bah信仰、黑人历史、艺术、文学、自然、疾病和痛苦。在发展他的主题和图像的过程中,海登的作品通过许多塑造现代世界的中心问题和事件,并朝着“重新集中”或围绕精神现实重新聚焦视觉的方向发展。仔细阅读海登的一些诗歌,包括“哀悼时间的话语”,“破碎的黑暗”,“从尸体柴堆,从灰烬中”,“中间通道”,“Runagate, Runagate”,“梦(1863)”,“El- Hajj Malik El- shabazz”,“夜间盛开的Cereus”和“For A Young Artist”,揭示了诗人对这一变化和成长过程的关注。在一个崇尚绝望和不信仰的时代,海登的诗歌记录了一段“从不能到不能”、从悲伤到希望、从死亡到生命、从痛苦到安慰、从破碎到完整、从尘世到飞翔的旅程。海登将艺术视为“最广泛意义上的终极宗教”,他创作了一系列作品,生动地描绘了人类精神的挣扎和成就。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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