Cooking and Eating as Linguistic Experiences: Metamorphoses in the Japanese Familial Culinary Universe Reflected in the Movie パパのお弁当は世界 一 Papa no Obentō wa Sekai Ichi 一 Dad's Lunch Box

Beatrice-Maria Alexandrescu
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Abstract

Abstract The aim of this study is to describe the role of bentōs (Japanese lunch boxes) in contemporary Japanese society and its importance in different types of interpersonal relationships (the father-daughter relationship, friendship and love relationships). We will illustrate the value of this cultural element by analyzing the movie パパのお 弁当は世界一 Papa no Obentō wa Sekai Ichi 一 Dad's Lunch Box (2017) directed by Fukatsu Masakazu (who drew inspiration from a popular post on Tweeter in which a girl's high school graduation day is marked by the fact that she conveys her thanks to her father for having prepared her daily bentōs in the last three years (Shoji)), a movie that reflects various aspects of modern Japan: the changing roles of family members and the changing relationships between them. Moreover, we will focus on how bentō evolves into a means of communication in this movie, and how it contributes to reconfiguring the facets of Japanese masculinities in a society that is no more characterized by its traditional form. We will also depict the characteristics of bentōs and will take into consideration their historical background in order to situate them in the context of the evolution of food-preparing practices.
作为语言体验的烹饪和饮食:电影《爸爸的饭盒》中反映的日本家庭烹饪宇宙的变形
摘要:本研究的目的是描述bentōs(日式饭盒)在当代日本社会中的作用,以及它在不同类型的人际关系(父女关系、友谊关系和爱情关系)中的重要性。我们将说明这种文化元素的值通过分析电影パパのお弁当は世界一爸爸没有Obentōwa饥荒Ichi一爸爸的午餐盒(2017)由Fukatsu Masakazu(从一个受欢迎的发布在推特上获得灵感女孩高中毕业的一天被她传达了她感谢她的父亲准备每日弯曲ō年代在过去三年里(Shoji)),电影反映了现代日本的各个方面:家庭成员角色的变化以及他们之间关系的变化。此外,我们将重点关注本子在这部电影中如何演变成一种交流手段,以及它如何在一个不再以传统形式为特征的社会中重新配置日本男性气概的各个方面。我们还将描述bentōs的特点,并将考虑到他们的历史背景,以便将他们置于食物准备实践演变的背景下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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