Parody in the Codex Buranus

C. C. D. Hartmann, T. Franklinos, H. Hope
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Abstract

As it is well known, Latin works of the Middle Ages are pervaded by references to other texts, pertaining to the subject matter, to linguistic expression or to both, and fulfilling different functions. In this essay, parody is understood in a broad sense as a form of intertextual reference, which marks a distance to the original text. The poems of the Codex Buranus offer rich material to explore strategies of parody: inversion of the original meaning, transposition to a divergent context or ironic quotation. Furthermore, parody can emerge between neighbouring texts as a co-textual occurrence. The essay surveys how the anthologist classified parodies, and whether he skilfully placed some poems in such a way so as to make parody emerge.
《布兰纳斯抄本》中的戏仿
众所周知,中世纪的拉丁语作品中充斥着对其他文本的引用,或与主题有关,或与语言表达有关,或两者兼而有之,并实现不同的功能。在本文中,戏仿从广义上被理解为一种互文引用的形式,它标志着与原文的距离。《布兰纳斯抄本》的诗歌为探索仿拟策略提供了丰富的素材:原意的颠倒、对不同语境的换位或讽刺引用。此外,戏仿可以在相邻的文本之间以共文的形式出现。本文考察了文集作者是如何对戏仿进行分类的,以及他是否巧妙地将一些诗歌以这种方式放置,从而使戏仿得以出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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