Futebol arte, o verdadeiro futebol brasileiro

S. Possenti, Ana Carolina Vilela-Ardenghi, Hélio Oliveira
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引用次数: 0

Abstract

This paper analyses, through a group of formulas (soccer-as-art, especially), the circulation of discourses about a possible Brazilian identity. From a methodological point of view, it aims to show the effectiveness of organizing a relevant corpus based on the path (parcours, Maingueneau 2008) of the selected formulas (Krieg-Planque 2010). The background of this study consists of historical and sociological texts on brasilidade (“Brazilian identity”) and essays such as Wisnik’s (2008), Antunes’ (2004) and Rodrigues’ (1958) as well as Pasolini’s ([1971] 1999), who contrasts soccer as prose with soccer as poetry and attributes the latter to Brazilian soccer.
足球艺术,真正的巴西足球
本文通过一组公式(特别是足球作为艺术)来分析关于可能的巴西身份的话语的流通。从方法论的角度来看,它旨在展示基于所选公式(Krieg-Planque 2010)的路径(parcours, Maingueneau 2008)组织相关语料库的有效性。本研究的背景包括关于brasilidade(“巴西身份”)的历史和社会学文本,以及维斯尼克(2008)、安图内斯(2004)和罗德里格斯(1958)等文章,以及帕索里尼([1971]1999)的文章。帕索里尼将足球作为散文与足球作为诗歌进行了对比,并将后者归因于巴西足球。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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