Performing the Past in the Present

Abstract

This chapter explores the conscious adoption, reformation, and indigenization of ballet in China in the mid-twentieth century to foreground how this historical development has contributed to the creation of a new genre of ballet unique to China in the contemporary period. Using The Red Detachment of Women (1964, [红色娘子军]) and the more recent Eight Heroines (2015, [八女投江]), the chapter highlights ballet’s contemporaneity in China at the convergence of the unique legacy of the sociopolitical reimagining of the form with tangible links to both the past and the present in ballet in the Global North as a modern transnational practice. It concludes that it is in its very divergence from the style of contemporary ballet more commonly performed in the West that Chinese contemporary ballet embodies the pluralistic cosmopolitan values that contemporary ballet adopts.