Narrative Immersion

R. Allan
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引用次数: 2

Abstract

A well-known psychological effect triggered by narrative texts is the reader’s (or listener’s) experience of being mentally drawn into the storyworld, a feeling which is often referred to as immersion. The intensity of the experience of being immersed is not only dependent on various cognitive and emotional propensities of the immersed subject but also determined by particular features of the narrative text. The more a text enables the reader to construct an embodied simulation of the described situation, the more intense the immersive experience will be. Linguistic phenomena relevant to immersion are tense-aspect, modality, deixis, discourse markers, and subjective-evaluative vocabulary. Narrative techniques contributing to immersion include descriptions rich in sensorimotor information, scenic spatial and temporal organization, character focalization, narratorial covertness, and the creation of empathy and suspense. This chapter explores the wide range of linguistic and narratological features brought into play to effect an immersive experience, discussing a number of immersive (and non-immersive) passages from Homer and Thucydides.
叙述浸
由叙事文本引发的一种众所周知的心理效应是,读者(或听者)会被吸引到故事世界中,这种感觉通常被称为沉浸感。沉浸体验的强度不仅取决于沉浸主体的各种认知和情感倾向,而且还取决于叙事文本的特定特征。一篇文章越能让读者对所描述的情景构建一个具体的模拟,沉浸式的体验就越强烈。与沉浸相关的语言现象包括时态、情态、指示、话语标记和主观评价词汇。有助于沉浸的叙事技巧包括丰富的感觉运动信息的描述、场景的时空组织、人物的聚焦、叙事的隐晦、移情和悬念的创造。本章探讨了广泛的语言和叙事学特征,这些特征影响了沉浸式体验,讨论了荷马和修昔底德的一些沉浸式(和非沉浸式)段落。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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