Gems, Cameos, and Social Practice

Abstract

This chapter focuses on the social practice of Roman images in the form of engraved gems and cameos. They were carried along on the body of their owner, so that the way they were perceived was highly flexible. The function of the representations was thus not limited to spatially fixed contexts of perception and could potentially function in all social configurations in which their wearer interacted socially. This essay aims to consider gems and cameos as objects within social spheres of activity. The starting point is the use of the objects. This makes it possible at least to limit the social interactions into which the images were integrated. Following upon this functional approach and an overview of common pictorial motifs, examples of possible ways these representations were concretely integrated to social practices will be shown. To this end, both outwardly directed functions such as social status or affiliation with a social group as well as actor-oriented aspects such as personal commemoration or the desire for individual protection are considered.