Stylistic analysis of Nigerian prose: A reading of selected novels of Chukwuemeka Ike

C. Patrick
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Abstract

This paper examined the language, style and other narrative devices in Chukwuemeka Ike’s novels. The diagnostic objective of the paper is based  on the interpretative analysis of Ike’s linguistic medium to determine how they aide in giving expressions to his vision as a writer. It reveals that  colloquial and evocative language layered with oral resources provides the fertile medium through which Ike portrays the absurdities and  decadence inherent in his society. His craftsmanship and talent glistens from effective and efficient deployment of literary style like the third person  narrative point of view, dream motif, flashback, songs, metaphor, proverbs, adjectival density in which Ike piles up superlative and superficial  adjectives while describing his characters which often make his language genial and turgid, etc. The paper explored some aspects of language in  Henri Bergson’s theory of humour which sheds some light on Ike’s use of language. It concludes that contrary to the popularly held view that Ike  belongs to the popular tradition in African literature; Ike is a consummate writer whose utmost concern is the propagation of a healthy society. 
尼日利亚散文文体分析:楚克乌梅卡·艾克小说选集读本
本文考察了楚库梅卡·艾克小说的语言、风格和其他叙事手法。本文的诊断目标是基于对艾克的语言媒介的解释性分析,以确定它们如何帮助表达他作为作家的愿景。它揭示了口语化和令人回味的语言为艾克描绘他的社会固有的荒谬和颓废提供了肥沃的媒介。他的技巧和才华体现在对文学风格的有效运用上,如第三人称叙事视角、梦境主题、倒叙、歌曲、隐喻、谚语、形容词的密集性(艾克在描述人物时堆积了最高级和肤浅的形容词,这往往使他的语言亲切而浮夸)等。本文探讨了柏格森幽默理论中语言的一些方面,从而对艾克的语言运用有所启示。它的结论与人们普遍持有的观点相反,即艾克属于非洲文学的通俗传统;艾克是一位完美的作家,他最关心的是传播一个健康的社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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