Not Getting Better: Sex and Self-Harm in It Gets Better / Glee Fanfiction

Derritt Mason
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Abstract

This chapter explores how fanfiction writers deploy characters from the television show Glee in the context of the It Gets Better anti-bullying YouTube project to imagine scenarios where the project’s teleological narrative fails to describe the lived experiences of queer youth. Glee reached peak popularity in 2010–2011, the year that It Gets Better was launched and queer YA began undergoing a publishing boom. In fanfiction that combines Glee with It Gets Better, fans repurpose It Gets Better to bring critical elements to the YouTube project that are missing from its official stories: sexual pleasure, and the possibility that it doesn’t always get better. These traces in material culture of young people writing back to It Gets Better, Mason concludes, illustrate problems with Jacqueline Rose’s argument about the untouched “middle space” between adult authors of children’s literature and the genre’s young audiences.
不会变得更好:它会变得更好/欢乐合唱团同人小说中的性和自残
本章探讨了同人小说作家如何在YouTube反欺凌项目It Gets Better的背景下,利用电视节目《欢乐合唱团》中的角色来想象项目的目的论叙事无法描述酷儿青年的生活经历的场景。《欢乐合唱团》的人气在2010-2011年达到顶峰,这一年《It Gets Better》推出,酷儿青春文学也开始经历出版热潮。在这部结合了《欢乐合唱团》(Glee)和《生活越来越好》(It Gets Better)的同人小说中,粉丝们对《生活越来越好》(It Gets Better)进行了重新设计,为YouTube项目带来了官方故事中缺失的关键元素:性快感,以及它并不总是会变得更好的可能性。梅森总结道,这些年轻人在物质文化中的痕迹,说明了杰奎琳·罗斯(Jacqueline Rose)关于成人儿童文学作者和该类型的年轻读者之间未被触及的“中间空间”的论点存在问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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