The conceptual dimension and seeing nature in postmodern arts preparation

S. Muhammad
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Abstract

The landscape is one of the topics closely related to the art of drawing and photography throughout the various stages of history. Many artists have excelled in treating its elements such as the sky, mountains, trees, plants, seas and clouds. Nature, with its elements of trees and plants, are miniature worlds of human interests, and a symbol of creativity and magic. They always symbolize life and are similar in relation to birth and death. With the beginning of the nineteenth century and the emergence of technological progress, landscape painting had a real presence, and it was able to develop and adapt to most artistic trends and schools of impressionism, expressionism, experimentalism, surrealism ... etc.
后现代艺术准备中的观念维度与观照自然
在历史的各个阶段,风景是与绘画和摄影艺术密切相关的主题之一。许多艺术家都擅长处理天空、山脉、树木、植物、海洋和云等元素。以树木和植物为元素的大自然,是人类兴趣的微缩世界,是创造力和魔力的象征。它们总是象征着生命,在生与死的关系上是相似的。随着19世纪初技术进步的出现,山水画有了真正的存在,它能够发展和适应大多数艺术趋势和流派,印象派、表现主义、实验主义、超现实主义……等。
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