{"title":"Introduction: Politics and Art Cinema","authors":"James J. Harvey","doi":"10.3366/EDINBURGH/9781474423786.003.0001","DOIUrl":null,"url":null,"abstract":"This introduction introduces the thought of Jacques Rancière, making connections across his political, aesthetic and film writing. It also situates his thought in the theoretical domain of political film theory, as well as locating shortfalls in his film analyses.","PeriodicalId":126074,"journal":{"name":"Jacques Rancière and the Politics of Art Cinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jacques Rancière and the Politics of Art Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/EDINBURGH/9781474423786.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This introduction introduces the thought of Jacques Rancière, making connections across his political, aesthetic and film writing. It also situates his thought in the theoretical domain of political film theory, as well as locating shortfalls in his film analyses.