Public Intimacies: Frances Burney’s and Jane Cave Winscom’s Accounts of Illness

K. Rogers
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引用次数: 2

Abstract

This article argues that, in a culture that focused on either essentializing or universalizing women’s bodies, Frances Burney’s 1811 Mastectomy Letter and Jane Cave Winscom’s 1793 Headache Odes utilize physiologically specific language to challenge these dominant ideals. By giving their readers graphic accounts of their procedures and pain, these authors bring their specific bodily experiences to light. Circulating their accounts, respectively as letters and in a local newspaper, Burney and Winscom also negotiate between the intimate sphere of their bodies and the more public space of letters and print.
《公共亲密关系:弗朗西斯·伯尼和简·凯夫·温斯科姆对疾病的描述》
本文认为,在一个关注女性身体本质化或普遍化的文化中,弗朗西斯·伯尼(Frances Burney) 1811年的《乳房切除信》和简·凯夫·温斯科姆(Jane Cave Winscom) 1793年的《头痛颂歌》利用生理上的特定语言来挑战这些主流理想。通过向读者生动地描述他们的治疗过程和痛苦,这些作者将他们具体的身体体验展现在世人面前。伯尼和温斯科姆分别以信件和当地报纸的形式传播他们的叙述,他们也在自己身体的私密领域和信件和印刷品的更公共空间之间进行协商。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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