{"title":"Easing the sublime: Flow, daoism, and being-nature","authors":"Kiene Brillenburg Wurth","doi":"10.1177/27538699231173344","DOIUrl":null,"url":null,"abstract":"Comparative Literature brings to Possibility Studies the toolbox to closely read the generative materiality of things, and the resonances between them, from a plurality of cultural, temporal, affective, and critical perspectives. What is the agency of things in making people think and feel “otherwise”? In this article, I try to answer this question with a view to the idea of the sublime. I revise this idea within a Daoist theoretical perspective of wuwei (doing not-doing)—carefully differentiating it from Czíkszentmihályi’s idea of flow— and self/no-self: of entanglement. I call this re-vision easing the sublime, and I argue that such easing is crucial to the continued relevance of this esthetic category in Possibility Studies. As I conclude, easing the sublime ultimately boils down to an attitude of a being-at-ease with (without being indifferent to) the eternal transformation of things (wu hua).","PeriodicalId":147349,"journal":{"name":"Possibility Studies & Society","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Possibility Studies & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/27538699231173344","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Comparative Literature brings to Possibility Studies the toolbox to closely read the generative materiality of things, and the resonances between them, from a plurality of cultural, temporal, affective, and critical perspectives. What is the agency of things in making people think and feel “otherwise”? In this article, I try to answer this question with a view to the idea of the sublime. I revise this idea within a Daoist theoretical perspective of wuwei (doing not-doing)—carefully differentiating it from Czíkszentmihályi’s idea of flow— and self/no-self: of entanglement. I call this re-vision easing the sublime, and I argue that such easing is crucial to the continued relevance of this esthetic category in Possibility Studies. As I conclude, easing the sublime ultimately boils down to an attitude of a being-at-ease with (without being indifferent to) the eternal transformation of things (wu hua).