Le polar « de banlieue » comme scène de déploiement du malaise social français le cas des romans « dyonisiens » de Rachid Santaki

Iona Marcu
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Abstract

The thriller tells daily explosive facts which take place, in most of the time, in a urban space. The authors describe, as the critics have observed, the most serious troubles in today’s society. Crimes, racism, trafficking, terrorism, theft, etc., all these crimes become the mark of an unbalanced world, a world in crisis. The “suburban”thriller, like suburban literature in general, circumscribes the scene in which the modern “misérables”clash. HLM, dangerous neighborhoods suffer because of urban disintegration, their inhabitants become victims of spatial and social dissolution. Rachid Santaki portrays in his novels young people who have lost their bearings, actors in a society where money is the only value, where violence is commonplace. In our contribution, we propose to see what are the different aspects of the French social malaise that Santaki denounces in the novels Flic ou Caillera(2013) and Les Princes du bitume(2017).
以拉希德·桑塔基(Rachid Santaki)的“dyonisian”小说为例,以《郊区》(de郊区)为例,展现法国社会动荡的场景
这部惊悚片讲述了每天发生的爆炸性事件,大部分时间都发生在城市空间。正如评论家所观察到的那样,作者描述了当今社会最严重的问题。犯罪、种族主义、贩运、恐怖主义、盗窃等等,所有这些罪行都成为一个不平衡的世界的标志,一个处于危机中的世界。“郊区”惊悚片,就像一般的郊区文学一样,限定了现代“missamable”冲突的场景。HLM,危险的社区因为城市解体而受苦,他们的居民成为空间和社会解体的受害者。Rachid Santaki在他的小说中描绘了迷失方向的年轻人,在一个金钱是唯一价值,暴力是司空见惯的社会里的演员。在我们的贡献中,我们提议看看桑塔基在小说《弗利·欧·卡耶拉》(2013)和《Les Princes du bitume》(2017)中所谴责的法国社会萎靡的不同方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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