Interview with Paul Schrader conducted by Michelle E. Moore and Brian Brems on 9/27/2018 at the Rail Line Diner, NYC

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Abstract

This career spanning interview with writer/director/film critic Paul Schrader was conducted in New York City in September 2018. During the wide-ranging conversation, Schrader reflects on his filmography, weighs in on the validity of the auteur theory, offers insight into his approach to writing and directing, draws distinctions between being a film artist and a film critic, and tells interesting stories from his life in the cinema. He discusses his most important contributions to film, including the screenplay for Taxi Driver, his stylistic evolution beginning with American Gigolo, and his celebrated film First Reformed. He also provides trenchant observations about the state of the cinema and how the film business has changed over time, insights offered with his typically unvarnished candor.
2018年9月27日,Michelle E. Moore和Brian Brems在纽约铁路线餐厅对Paul Schrader进行了采访
2018年9月,作家、导演、影评人保罗·施拉德在纽约接受了这次跨越职业生涯的采访。在广泛的对话中,Schrader反思了他的电影作品,权衡了导演理论的有效性,提供了他对写作和导演方法的见解,指出了电影艺术家和电影评论家之间的区别,并讲述了他电影生涯中的有趣故事。他讨论了他对电影最重要的贡献,包括《出租车司机》的剧本,他从《美国舞男》开始的风格演变,以及他著名的电影《第一次改革》。他还对电影的现状以及电影业如何随着时间的推移而变化提供了尖锐的观察,这些见解以他典型的不加修饰的坦率提供。
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