{"title":"Navigating the Palace Underworld :\n Recreational Space, Pleasure, and Release\n at the Castello del Buonconsiglio, Trent","authors":"Chriscinda Henry","doi":"10.5117/9789463725811_CH01","DOIUrl":null,"url":null,"abstract":"This essay examines the material ornamentation and poetic description of\n garden-adjacent recreational spaces in the Magno Palazzo (main palace) of the\n Castello del Buonconsiglio, Trent (1528-1536). Guided by instructions from Prince-\n Bishop Bernardo Cles, a team of sculptors and painters including Dosso Dossi\n and Girolamo Romanino constructed a complex visual itinerary to orient mobile\n beholders and choreograph their movement through the newly built palace.\n Grounded in the precepts of decorum and commensurability, this itinerary was\n codified in an ekphrastic poem written by Cles’s physician, the naturalist Pietro\n Andrea Mattioli (published 1539). This essay traces the ways in which words\n and images prompt psychosensory response, revealing the moral ambivalence\n associated with marginal and unofficial interior spaces dedicated to refreshment,\n leisure, and entertainment.","PeriodicalId":228448,"journal":{"name":"Early Modern Spaces in Motion","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Modern Spaces in Motion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463725811_CH01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This essay examines the material ornamentation and poetic description of
garden-adjacent recreational spaces in the Magno Palazzo (main palace) of the
Castello del Buonconsiglio, Trent (1528-1536). Guided by instructions from Prince-
Bishop Bernardo Cles, a team of sculptors and painters including Dosso Dossi
and Girolamo Romanino constructed a complex visual itinerary to orient mobile
beholders and choreograph their movement through the newly built palace.
Grounded in the precepts of decorum and commensurability, this itinerary was
codified in an ekphrastic poem written by Cles’s physician, the naturalist Pietro
Andrea Mattioli (published 1539). This essay traces the ways in which words
and images prompt psychosensory response, revealing the moral ambivalence
associated with marginal and unofficial interior spaces dedicated to refreshment,
leisure, and entertainment.
本文考察了特伦特城堡(1528-1536)的马格诺宫(主要宫殿)中与花园相邻的休闲空间的材料装饰和诗意描述。在贝尔纳多主教的指导下,包括多索·多西和吉罗拉莫·罗马诺在内的雕塑家和画家团队构建了一个复杂的视觉路线,以引导移动的观众,并编排他们在新建宫殿中的运动。在礼仪和可通约性的戒律基础上,这段行程被克里斯的医生、博物学家彼得罗·安德烈·马蒂奥利(Pietro Andrea Mattioli)写的一首轻松的诗编成了法典(出版于1539年)。本文追溯了文字和图像引发心理感官反应的方式,揭示了与边缘和非官方的室内空间有关的道德矛盾心理,这些空间致力于休闲、休闲和娱乐。