Doña Marina, otra vez. Las contradicciones de la propuesta de Inés M. Stranger en Malinche

Iris De Benito Mesa
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Abstract

Ines M. Stranger’s Malinche makes up a rewriting proposal of Malinche, as it’s a mythical figure that has been incorporated to latin american cultural imaginary. The use of this character is common in several contemporary authors who tackle, through their texts, matters relating to latin american national identities. As well, some other authors have used Malinche in order to make a critical rewriting, since this myth has become a negative model of indigenous women. Ines M. Stranger’s narrative, to which this work refers, is locating within this set of ideas. The objective of this study is to critically analyse this narrative with a view to identify to what extent it makes a critical subversion of the character or if, in some sense, it participates in other old discourses that privilege West’s look to indigenous cultures.
多娜·玛丽娜,再次。ines M. Stranger在Malinche的提议的矛盾
伊内斯·m·斯特兰奇(Ines M. Stranger)的马林奇(Malinche)是对马林奇的重写提议,因为它是一个被纳入拉丁美洲文化想象的神话人物。这个角色的使用在一些当代作家中很常见,他们通过他们的文本处理与拉丁美洲国家身份有关的问题。同样,其他一些作者也用马林奇来进行批判性的重写,因为这个神话已经成为土著妇女的负面典范。伊内斯·m·斯特兰奇(Ines M. Stranger)的叙述,也就是这部作品所涉及的,就在这一套观念之中。本研究的目的是批判性地分析这一叙事,以确定它在多大程度上对角色进行了批判性的颠覆,或者在某种意义上,它是否参与了其他古老的话语,这些话语赋予了韦斯特对土著文化的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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