{"title":"The Narrative Structure of Ambiguity\n A Semiotic Analysis of a Tawriya-Epigram by Ibn al-ʿAṭṭār (d. 794/1392)","authors":"L. Rizzo","doi":"10.30687/ANNOR/2385-3042/2018/01/025","DOIUrl":null,"url":null,"abstract":"This paper engages in a semiotic analysis of a tawriya-epigram by Šihāb al-Dīn b. al-yAṭṭār (d. 794/1392). Mamluk literature is renowned for its extended usage of rhetorical figures, above all the tawriya ‘double entendre’. My goal is to shed light on tawriya, taking into account the Arabic classical theory and presenting a new approach based on semiotics. The subject of my analysis is what was the most flourishing literary genre of the epoch: the epigram. Within the epigram, the tawriya plays a pivotal role. Its potential is not limited to the engendering of a twofold reading of the text but rather goes further and creates a second text out from the first, both of which cooperate with one another and shed light upon their respective meanings. Therefore, the epigram by Ibn al-ʿAṭṭār is a construction of several texts, each of which is mutually linked and deeply-rooted in the social and physical environment depicted in the poem: the ḥammām.","PeriodicalId":116855,"journal":{"name":"54 | Supplemento | 2018\n Texts in Between Action and Non-Action. Genesis, Strategies, and Outcomes of Textual Agency","volume":"310 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"54 | Supplemento | 2018\n Texts in Between Action and Non-Action. Genesis, Strategies, and Outcomes of Textual Agency","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ANNOR/2385-3042/2018/01/025","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
This paper engages in a semiotic analysis of a tawriya-epigram by Šihāb al-Dīn b. al-yAṭṭār (d. 794/1392). Mamluk literature is renowned for its extended usage of rhetorical figures, above all the tawriya ‘double entendre’. My goal is to shed light on tawriya, taking into account the Arabic classical theory and presenting a new approach based on semiotics. The subject of my analysis is what was the most flourishing literary genre of the epoch: the epigram. Within the epigram, the tawriya plays a pivotal role. Its potential is not limited to the engendering of a twofold reading of the text but rather goes further and creates a second text out from the first, both of which cooperate with one another and shed light upon their respective meanings. Therefore, the epigram by Ibn al-ʿAṭṭār is a construction of several texts, each of which is mutually linked and deeply-rooted in the social and physical environment depicted in the poem: the ḥammām.
本文对Šihāb al- d n b. al-yAṭṭār (d. 794/1392)的一篇塔里亚警句进行符号学分析。马穆鲁克文学以其修辞手法的广泛使用而闻名,尤其是“双关语”。我的目标是阐明塔里亚,考虑到阿拉伯古典理论,并提出一种基于符号学的新方法。我分析的主题是那个时代最繁荣的文学体裁:警句。在这首警句中,塔里亚扮演着关键的角色。它的潜力并不局限于对文本的双重解读,而是更进一步,从第一文本中创造出第二文本,两者相互合作,阐明各自的意义。因此,伊本·阿尔-伊Aṭṭār的警句是由几个文本组成的,每个文本都是相互联系的,并深深植根于诗中所描绘的社会和自然环境:ḥammām。