In Whose Custody? – A Study of Culture in Crisis with Reference to the Novel and the Film

Astha Singh
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Abstract

In Custody is a novel by Anita Desai that studies the extinction of Urdu culture in post-partition India. The film adaptation of the novel has been done by Merchant Ivory Production in an attempt to not only convert the narrative from one art form to another, but also to use cinematic techniques to explore the socio-culture of India with the Urdu language being the central theme. This paper tries to explore the diminished Urdu culture and tries to analyze the question of its preservation in the modern world using technologies that have also been put forward in both art forms. The verses of Urdu poets and Faiz Ahmad Faiz used in the novel and in the film along with the progressive writers’ thought have also been dealt with. Hence, the theme of Urdu culture playing centrally, this paper studies various other aspects that have been presented in the film adaptation.
由谁监护?——从小说和电影看危机中的文化
《被拘留》是安妮塔·德赛的一部小说,研究了印度分治后乌尔都文化的灭绝。Merchant Ivory Production将这部小说改编成电影,不仅试图将叙事从一种艺术形式转换为另一种艺术形式,而且试图利用电影技术来探索以乌尔都语为中心主题的印度社会文化。本文试图探索衰落的乌尔都文化,并试图分析其在现代世界中保存的问题,使用的技术也在这两种艺术形式中提出。小说和电影中使用的乌尔都语诗人和法伊兹·艾哈迈德·法伊兹的诗句以及进步作家的思想也得到了处理。因此,本文以乌尔都文化这一主题为中心,对电影改编中出现的其他方面进行了研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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