Involuntary, Limited, and Contiguously Repeating Musical Imagery (InLaCReMI): Reconciling Theory and Data on the Musical Material Acquired by Earworms

Emery Schubert
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Abstract

“Earworms” have been proposed as a particular type of involuntary musical imagery (INMI) where musical material is repeated in the mind. The structure of the repetition is investigated by proposing a spreading activation model (SAM), where mental experience consists of priming and activation of nodes that represent objects, events, and relationships, including music. Music consists of chaining together nodes representing small music segments within hierarchical structures. Listening to music at a point in time activates the music's represented segment, which then primes the node representing the segment that follows. Repeating musical segments are coded recursively, with an additional layer of “context” nodes tracking global, structural location. From this basis, two hypotheses were proposed: H1 “Contiguous repetition at encoding” and H2 “Low environmental focus.” H1 predicts that when an INMI episode is a contiguously repeating segment, it must be based on music that contains contiguous repetition: it will be perceived as a subset of INMI – involuntary, limited, and contiguously repeating musical imagery (InLaCReMI). H1 challenges current views about preferred segments for looping, such as the “hook” of a tune. H2 predicts that InLaCReMI occurs when an individual is not focused on the immediate environment. In such a state there is less social imperative to activate high attentional-demand contextual information and so adherence to contextual integrity in thought is relaxed, leading to looping of recurrently activated nodes that were encoded with contiguous repetition. Additional predictions were made using SAM, demonstrating the potential for SAM to provide a unifying understanding of INMI. InLaCReMI is proposed as a frequently occurring species of INMI and confirmation of this phenomenon through more structured empirical investigation will provide novel insights into mental operation, and the nature of INMI.
非自愿、有限和连续重复的音乐意象(InLaCReMI):调和耳虫获取音乐素材的理论与数据
“耳虫”被认为是一种特殊类型的非自愿音乐意象(INMI),其中音乐材料在脑海中重复。通过提出一种扩展激活模型(SAM)来研究重复的结构,其中心理体验由代表对象、事件和关系(包括音乐)的节点的启动和激活组成。音乐是由在层次结构中表示小音乐片段的链接节点组成的。在某个时间点听音乐会激活音乐所代表的部分,然后启动代表接下来部分的节点。重复的音乐片段是递归编码的,另外还有一层“上下文”节点跟踪全局结构位置。在此基础上,提出了两个假设:H1“编码时的连续重复”和H2“低环境焦点”。H1预测,当一个INMI情节是一个连续重复的片段时,它必须基于包含连续重复的音乐:它将被视为INMI的一个子集-非自愿的,有限的,连续重复的音乐意象(InLaCReMI)。H1挑战了当前关于循环的首选片段的观点,例如曲调的“钩”。H2预测InLaCReMI发生在个体不专注于眼前环境的时候。在这种状态下,激活高注意力要求的上下文信息的社会必要性就会减少,因此对上下文完整性的思维坚持会放松,导致循环激活的节点被连续重复编码。使用SAM进行了其他预测,展示了SAM提供对INMI的统一理解的潜力。InLaCReMI被认为是一种频繁发生的INMI,通过更结构化的实证调查来证实这一现象将为INMI的心理运作和本质提供新的见解。
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