Reluctant Igbo: The matter of cultural identity in Buchi Emecheta’s Kehinde

Mahmut Kayaaltı
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Abstract

Culture and identity issues occupy a great deal of place in postcolonial studies. Contemporary scholars have been highly debating the intersection of cultures belonging to divergent groups and the identity crises of individuals within those groups. Accordingly, new insights based on understanding the invisible aspects of these relations are gained to literature. In this study, Nigerian feminist writer Buchi Emecheta’s Kehinde (1994) is analysed through the lenses of culture and identity since the protagonist Kehinde is forced to prefer either her native African culture, called Igbo or her acquired European culture. Such pressure causes Kehinde to strive for two different identities: a Nigerian woman adhering to local traditions and a European woman favouring freedom, though she is inclined to the latter. The paper has been approached by theorist Homi K. Bhabha’s postcolonial notions since he holds culture and identity issues complementarily with particular terms which are hybridity and third space.
不情愿的伊博人:布吉·埃米切塔的《凯欣德》中的文化认同问题
文化和身份问题在后殖民研究中占有重要地位。当代学者对属于不同群体的文化的交集以及这些群体中个人的身份危机进行了激烈的辩论。因此,在理解这些关系的无形方面的基础上,文学获得了新的见解。在这项研究中,尼日利亚女权主义作家Buchi Emecheta的Kehinde(1994)通过文化和身份的镜头来分析,因为主角Kehinde被迫更喜欢她的本土非洲文化,称为伊博或她获得的欧洲文化。这样的压力使Kehinde努力争取两种不同的身份:一个是坚持当地传统的尼日利亚妇女,一个是崇尚自由的欧洲妇女,尽管她更倾向于后者。本文借鉴了理论家Homi K. Bhabha的后殖民概念,因为他认为文化和身份问题与混合性和第三空间等特定术语是互补的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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