Myth and use of Mythology in Poetry of Islamic Revolution

Hojjatollah. ghe.Moniri, Nushin Dohniyatkar
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引用次数: 1

Abstract

Mythology as one of imagination tools and also as one of the most significant elements of rhetoric has been used since the early usher of Persian poetry, though with its own ups and downs. Mythology has a different and significant role compared to previous ages especially during the first decade of Islamic Revolution (Sacred defense period). Since the analysis and investigation of this role has not been written yet, the present research tries to investigate and translate metaphoric roles through a simple and systematic design. In addition, it presents the position and statue of the poets who are in line with Islamic Revolution. In this paper, it is also shown that poets and orators of the period are not at the same level due to the experience, creativity, qualitative and quantitative efficiency of the myths. Some reach this level through recreating old patterns and integrating them with historical samples in a splendid language which is an integration of modern expression and Khorasani (a category of Urdu). Some others put a step forward and narrated some value symbols (abstract or conceptual) of their passionate history. Finally, a group of poets did not implement this magic element of imagination and their poetic symbols lack the visionary ambiguities of
伊斯兰革命诗歌中的神话及其运用
神话作为一种想象工具,也是修辞学中最重要的元素之一,自早期波斯诗歌诞生以来就一直被使用,尽管它有自己的起伏。与以前的时代相比,神话具有不同的重要作用,特别是在伊斯兰革命的第一个十年(神圣的防御时期)。由于对这一角色的分析和研究尚未有文献记载,本研究试图通过简单而系统的设计来研究和翻译隐喻角色。此外,它还展示了与伊斯兰革命一致的诗人的地位和雕像。这一时期的诗人和演说家由于神话的经验、创造力、定性和定量效率而处于不同的水平。有些人通过重建旧模式并将其与历史样本结合在一起,以一种现代表达和呼拉萨尼语(乌尔都语的一个类别)的辉煌语言达到了这一水平。另一些人则更进一步,叙述了他们的激情历史的一些价值符号(抽象的或概念性的)。最后,一群诗人没有实现这种神奇的想象元素,他们的诗歌符号缺乏幻想的模糊性
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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