POSTLUDE:

William Cheng
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引用次数: 0

Abstract

A brief Postlude critiques societies’ common narratives around trauma as a source of beauty, musical and otherwise. It asks whether tropes of “tortured artists” and “no pain no gain” foreclose imaginations of realities in which the beautiful can—or should—exist without the romantic mandates of incipient terror.
终曲:
一个简短的插曲批评了社会对创伤的共同叙述,将其作为美、音乐和其他方面的来源。它提出的问题是,“受折磨的艺术家”和“没有付出就没有收获”的比喻是否剥夺了人们对现实的想象,在现实中,美丽可以——或者应该——在没有早期恐怖的浪漫委托的情况下存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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