Lost Identities

L. Mitchell
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Abstract

Extending the implications of this turn from fleshed-out character, chapter four highlights the genre’s later focus on identities lost altogether (if only apparently). Among more recent authors, some have collapsed the mysteries earlier involving dead victims with those now entangling the unknown investigator himself. After all, the detective’s presence has always verged on a condition of invisibility, which has gradually become an informing premise within the genre. Central figures more than occasionally seem unaware of their tormented pasts, or even of their own present insights and skills. Alternatively, those who are so aware now strive to protect their identities by staying off the grid, avoiding scrutiny altogether, including the reader’s inquiring eye. Remaining invisible becomes either a chronic, unbidden condition or an increasingly hard act to sustain, with concealment having become the genre’s signature narrative line.
失去了身份
第四章将这种转变的含义从充实的角色延伸开来,强调了该类型后来对完全失去的身份的关注(如果只是表面上的)。在最近的一些作者中,一些人将早期涉及死亡受害者的谜团与现在纠缠着不知名的调查员本人的谜团混为一谈。毕竟,侦探的存在总是接近于一种隐形的状态,这已经逐渐成为这类小说的一个重要前提。中心人物似乎不知道自己痛苦的过去,甚至不知道自己现在的洞察力和技能。另一种选择是,那些非常了解情况的人现在努力通过远离网络来保护自己的身份,完全避免审查,包括读者询问的目光。隐蔽性要么成为一种长期的、不为人知的状态,要么成为一种越来越难以维持的行为,隐蔽性已经成为这类题材的标志性叙事线。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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