Piano cycles by Roman Tsis: stylistic and expressive aspects

Mariia Gerega
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Abstract

The task of this article is to consider the genre specifics of the cycle of preludes and a small cycle of program pieces, the interconnection of traditions and innovative searches in the field of creating an executive- didactic repertoire for pianists on the example of the author's collection of Roman Tsis. The methodology of the research is to use theoretical and structural-system methods in the analysis of sources and samples of the didactic repertoire of different authors; comparative - in the study of the features of the individual author's style as the basis for mastering technical and sound creation tasks. The scientific novelty lies in the fact that for the first time the author analyzes the interconnection of traditions and innovative searches in the field of creating an executive-didactic repertoire for pianists in the class of general and specialized piano in the genre system of a cycle of programmatic preludes and small cycles with the help of contemporary composer creativity. R. Tsis's piano cycles have a significant didactic potential from the standpoint of understanding interpretative tasks in terms of different stylistics, genre varieties, principles of texture organization, composing techniques and sounding aspects. With a rather modest technical arsenal and small scale compositions, they reproduce a variety of formative techniques and principles of melodic development. Due to the presence of small cycles and the monogamous suite of preludes, it is possible to simulate the selection of the repertoire depending on the tastes, preferences and interpretive-didactic needs of a particular representative of the class of general and specialized piano. This approach allows individually to form the most appropriate set of works that would gradually build and develop the aesthetic and performing-interpretive potential of the student, his ability to solve artistic tasks and overcome technical difficulties. The key to success is to engage in a multi-role and multi-genre repertoire with the ability to separate individual thumbnails or, conversely, simulate suites-cyclic structures.
罗曼·西斯的钢琴循环:风格和表现方面
本文的任务是考虑前奏曲周期和小周期节目片的体裁特点,传统的相互联系以及以作者收集的罗马·西斯为例,在为钢琴家创造执行教学曲目领域的创新探索。研究的方法论是运用理论和结构系统方法分析不同作者的教学曲目的来源和样本;比较——在研究作者个人风格特点的基础上,掌握技术和完善的创作任务。本文的科学新颖之处在于,作者首次借助当代作曲家的创造力,在程式化前奏曲和小循环的体裁体系中,分析了为普通钢琴和专业钢琴班的钢琴家创作执行说教曲目领域的传统与创新研究的联系。从理解不同文体学、体裁变化、织体组织原则、作曲技巧和发声方面的解释任务的角度来看,崔氏的钢琴循环具有重要的教学潜力。凭借相当适度的技术库和小规模的作品,他们再现了各种形成技巧和旋律发展的原则。由于小循环的存在和一夫一妻制的序曲组曲,有可能模拟曲目的选择取决于品味,偏好和一般和专业钢琴类的特定代表的解释-教学需求。这种方法允许个体形成最合适的作品集,逐渐建立和发展学生的审美和表演解释潜力,他解决艺术任务和克服技术困难的能力。成功的关键是参与多角色和多类型的剧目,并具有分离单个缩略图的能力,或者相反,模拟套件循环结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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