Snapshots of Indian Otherness in Aparna Sen’s Cinema

Felicity Hand
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Abstract

Aparna Sen turned to film directing in 1980 after a highly successful career as an actor. Her debut film, 36 Chowringhee Lane (1981) highlights the loneliness of an elderly Anglo-Indian woman. One of her best-known films outside India is Mr & Mrs Iyer (2002), in which an upper caste Hindu woman saves the life of a Muslim stranger in an act of personal commitment with the Other. In 15 Park Avenue (2005), a film that focusses on schizophrenia, Sen shows how the female members of a family struggle to cope with mental illness. In this article I discuss how Sen explores different ways of being Indian in these three films and how she draws attention to values such as personal commitment and tenacity in the face of disability, ageing and communalism
阿帕纳·森电影中的印度差异性快照
1980年,阿帕纳·森在演员生涯取得巨大成功后转向电影导演。她的处女作《秋林吉巷36号》(1981)突出了一位年长的英裔印度妇女的孤独。她在印度以外最著名的电影之一是《艾耶夫妇》(2002),在这部电影中,一名高种姓的印度妇女在与他者的个人承诺行为中拯救了一名穆斯林陌生人的生命。在《公园大道15号》(15 Park Avenue, 2005)这部关注精神分裂症的电影中,森展示了一个家庭中的女性成员如何与精神疾病作斗争。在这篇文章中,我将讨论森如何在这三部电影中探索成为印度人的不同方式,以及她如何在面对残疾、老龄化和社群主义时引起人们对个人承诺和坚韧等价值观的关注
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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