POETIC DEVICES:

Louis Armstrong
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Abstract

Poetry is the kind of thing poets write. — Robert Frost Man, if you gotta ask, you'll never know. — Louis Armstrong A POET IS LIMITED in the materials he can use in creating his works: all he has are words to express his ideas and feelings. These words need to be precisely right on several levels at once: • they must sound right to the listener even as they delight his ear • they must have a meaning which might have been unanticipated, but seems to be the perfectly right one • they must be arranged in a relationship and placed on the page in ways that are at once easy to follow and assist the reader in understanding • they must probe the depths of human thought, emotion, and empathy, while appearing simple, self-contained, and unpretentious Fortunately, the English language contains a wide range of words from which to choose for almost every thought, and there are also numerous plans or methods of arrangement of these words, called poetic devices, which can assist the writer in developing cogent expressions pleasing to his readers. Even though most poetry today is read silently, it must still carry with it the feeling of being spoken aloud, and the reader should practice " hearing " it in order to catch all of the artfulness with which the poet has created his work. the SOUNDS of words Words or portions of words can be clustered or juxtaposed to achieve specific kinds of effects when we hear them. The sounds that result can strike us as clever and pleasing, even soothing. Others we dislike and strive to avoid. These various deliberate arrangements of words have been identified. Alliteration: Repeated consonant sounds at the beginning of words placed near each other, usually on the same or adjacent lines. A somewhat looser definition is that it is the use of the same consonant in any part of adjacent words. Example: fast and furious Example: Peter and Andrew patted the pony at Ascot In the second definition, both P and T in the example are reckoned as alliteration. It is noted that this is a very obvious device and needs to be handled with great restraint, except in specialty forms such as limerick, cinquain, and humorous verse. Assonance: Repeated vowel sounds in words placed near each other, usually on the same or adjacent lines. These should be …
诗意的设备:
诗是诗人写的那种东西。-罗伯特·弗罗斯特,如果你要问,你永远不会知道。-路易斯·阿姆斯特朗诗人在创作时所能使用的材料是有限的:他所拥有的就是用来表达他的思想和感情的文字。这些词需要同时在几个层面上准确无误:•听上去他们必须对听者即使他们喜悦他的耳朵•必须有一个意思可能是无法预料的,但似乎完全正确•他们必须被安排在一个关系并放置在页面上的方式一次容易理解和帮助读者理解•他们必须调查人类思想的深度,情感,和同理心,虽然显得简单,独立的和含蓄的幸运的是,英语中有大量的词汇可供选择,几乎每一种思想都可以从中选择,而且这些词汇的排列也有许多计划或方法,称为诗歌的技巧,它可以帮助作家写出令人信服的表达,使读者满意。尽管今天大多数诗歌都是默读的,但它仍然必须带有被大声朗读的感觉,读者应该练习“听”它,以便捕捉诗人创作作品时所运用的所有技巧。当我们听到单词或单词的一部分时,单词或单词的一部分可以聚在一起或并列,以达到特定的效果。由此产生的声音会让我们觉得聪明、愉悦,甚至舒缓。还有一些是我们不喜欢并努力避免的。这些不同的刻意安排的词语已经被识别出来了。头韵:单词开头的辅音相互靠近,通常在同一行或相邻的行上。一个稍微宽松的定义是,在相邻单词的任何部分使用相同的辅音。在第二个定义中,例子中的P和T都被认为是头韵。值得注意的是,这是一种非常明显的手段,需要非常克制地处理,除非是在特殊的形式,如打油诗、儿歌和幽默诗中。辅音:单词中相互靠近的重复元音,通常在同一行或相邻一行上。这些应该是……
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