Counter-Didactic Pickwickians

Amir Tevel
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引用次数: 2

Abstract

abstract:Dickens has often been praised by modern readers for his keen awareness of Victorian injustices and his ability to expose them in his fiction. Victorianists, though, also know that Dickens was anxious about appearing "preachy" in his fiction, and was often criticized by contemporary readers for sacrificing the interests of the story to those of his social criticism. This article shows how, in the Pickwick Papers, Dickens develops a "counter-didactic" discourse, one that allows him to criticize Victorian institutions and make general moral points without appearing to do so. Often he will advance a social argument, only to (apparently) undermine it the next moment with a joke. In other cases, the literary form in which he embeds the social argument (a comical proverb, a tale told by a grubby stroller) defuses the sense of moral urgency that would otherwise attach to it. Dickens's counter-didactic discourse thus allows him to advance social arguments under the cover of a style that ostentatiously mocks and dismisses them. Many of the defining stylistic features of the novel—the "Wellerisms," the interpolated tales, the good-natured ignorance of Pickwick himself—gain a new coherence when seen as features of this larger, counter-didactic discourse.
Counter-Didactic有特殊意义的
狄更斯对维多利亚时代不公正现象的敏锐意识和在小说中揭露这些现象的能力,经常受到现代读者的赞扬。然而,维多利亚时代的人也知道,狄更斯很担心自己在小说中显得“说教”,并且经常被同时代的读者批评,因为他牺牲了故事的利益,而去批评他对社会的批评。本文展示了狄更斯如何在《匹克威克外传》中发展出一种“反说教”的话语,这种话语使他能够批评维多利亚时代的制度,并在不显得如此的情况下提出一般的道德观点。他经常会提出一个社会争论,只是(显然)下一刻用一个笑话来破坏它。在其他情况下,他嵌入社会争论的文学形式(一个滑稽的谚语,一个肮脏的婴儿车讲的故事)消除了道德紧迫感,否则它会附着在上面。因此,狄更斯的反说教话语使他能够在一种夸张地嘲笑和驳斥社会争论的风格的掩护下推进社会争论。许多定义小说风格的特征——“韦勒主义”、插话式的故事、匹克威克本人善意的无知——当被视为这个更大的反说教话语的特征时,获得了新的一致性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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