An Analysis of the Representation of Hybrid Culture and Transculturalism in Jean Rhys’s "Wide Sargasso Sea"

Javairiah Batool, Amber Hafeez, Safia Siddiqui
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Abstract

The current investigation utilizes textual analysis approach on Jean Rhys’s Wide Sargasso Sea in the light of Transculturalism theory proposed by Jeff Lewis (2012). This study paves the way to provide hybridity as a product of culture and touches the theme of transculturalism which is compatible with globalization. This analysis explores the complexity of hybrid culture and how this culture prompts the racial identity. It is shown that hybridity is an alleged myth on which western culture is dominant. Wide Sargasso Sea gives the complete depiction of West Indies and it tells about the emancipation act of 1833 as well. It also describes few deep elements by mentioning characters who become the victim of this complexity. Doubtlessly transculture frees the human from boundaries and make the human as boundless entities with unique cultures but this concept “having no boundary” creates a lot of problems and the most imperative fact is “complexity of identities”. This study concludes with the assertion that hybrid culture prompts the racial identity.
浅析让·里斯《广阔的马尾藻海》中混合文化与跨文化主义的表现
本研究在Jeff Lewis(2012)提出的跨文化主义理论的指导下,采用文本分析的方法对Jean Rhys的《宽马尾藻海》进行研究。本研究为提供杂交作为文化的产物铺平了道路,触及了与全球化相适应的跨文化主义主题。这一分析探讨了混合文化的复杂性,以及这种文化如何促进种族认同。研究表明,杂种是西方文化主导的所谓神话。《宽马尾藻海》对西印度群岛进行了完整的描述它也讲述了1833年的解放法案。它还通过提到成为这种复杂性受害者的角色来描述一些深刻的元素。毫无疑问,跨文化将人从边界中解放出来,使人成为具有独特文化的无界实体,但这种“没有边界”的概念产生了许多问题,其中最重要的事实是“身份的复杂性”。本研究的结论是混血文化促进了种族认同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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